- Rental ID: 100511-C • Webcode: 461305
Included in Rental
- 1 Fujifilm GFX 100 II Mirrorless Body
- 1 Fujifilm Electronic Viewfinder for GFX100 II
- 1 Fujifilm Hot Shoe Cover for GFX 100 II
- 1 OM System Adapter USB F-5AC
- 1 Cables 3' USB 3.0 A Male to C
- 1 Wacom 2.5' USB-C to USB-C
- 2 Fujifilm NP-W235 Battery
- 1 Fujifilm Battery Charger for NP-W235
Product Highlights
- 102MP CMOS II HS Imaging Sensor
- Medium Format
- Up to 8fps Continuous Shooting (Mechanical)
- ISO 80-12800 Expandable to 40-102400
- 4K (3840 x 2160) @60p Video Recording
- 152 x 103.5 x 73.5 mm (6 x 4 x 3") Dimensions
- 948g (33 oz.) Weight
- 8-stops of In-Body Image Stabilization (IBIS)
- Tilting Touchscreen
Fujifilm GFX 100 II Mirrorless Body
$1,050.00/week Add to Request
Overview
FUJIFILM GFX100 II
Unlock your greatest images
GFX100 II brings a new, blazingly fast 102-megapixel medium-format sensor to deliver up to 8fps in high-speed continuous mode, surgically accurate subject detection and tracking AF, and advanced video features that have never existed in any previous GFX System or X Series camera. Upgraded AI-developed autofocus algorithms and a new 9.44-million dot EVF bring the action accurately into view for photographers, while full-width 4K/60p, 4:2:2 ProRes video and accessory-free delivery of files to Frame.io directly from the camera, give filmmakers access to new streamlined workflows and the ability to immediately collaborate with project team members.
Key Features:
- New 102MP CMOS II HS Imaging Sensor and X-Processor 5
- Optimized autofocus performance, with updated tracking
- 8fps continuous mechanical shutter
- Up to 8-stops of In-Body Image Stabilization (IBIS)
- Internally record full-width, 4K/60p video in 4:2:2, 10-Bit Apple ProRes, or through HDMI in 12-bit Blackmagic RAW or Apple ProRes RAW
- World’s First: Natively enabled for Frame.io Camera-to-Cloud integration with no accessory requirements
- Multiple Cinema Formats: FUJINON PREMISTA, 35mm, and 35mm Anamorphic
It's a Trifecta—Smart, Fast, and Stable
GFX100 II’s new 102MP sensor and X-Processor 5 combination deliver astounding performance when it is needed most. Enhancements to autofocus algorithms, now incorporating internal subject detection propelled by artificial intelligence, allow photographers and filmmakers to accurately track moving subjects and create 102MP images at up to 8fps using the camera’s high-speed mechanical shutter, or to record 4K/60p video at the full width of GFX100 II’s massive 55mm1 imaging sensor. An updated 9.44M dot EVF with 120fps live view and 5.3fps of blackout-free (8.7fps of blackout-free in 35mm format mode), continuous shutter use, also helps photographers stay close to the action, frame by frame, while internal in-body image stabilization (IBIS) provides up to 8-stops of stability to help transform the way any professional will make their next great image and share their next great story.
Stay with the Action, Stay with the Vision
Internally record 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II’s massive 55mm1 sensor, at 4K/60p, for a seamless transition from creative vision to post-production. Accelerate a project’s delivery to colour grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode Original Camera Files (OCF) before editing.
Choose Your Own Adventure, Pick Your Favorite Cine Format
GFX100 II provides specified crops and aspect ratios for multiple cinema formats, which includes full-width GF Format, FUJINON PREMISTA (Vista Vision), and 35mm. With a basic GF to PL adapter, cinematographers anywhere can now use GFX100 II’s 55mm medium format imaging sensor with some of the world’s most legendary cinema optics, including Fujifilm’s collection of FUJINON PREMISTA and CABRIO Zoom Lenses. For storytellers with wider aspirations, GFX100 II offers two different high resolution 35mm Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
Workflow, Meet Cloud – No additional hardware needed
Embrace cloud-first workflows and open lines of collaboration with GFX100 II’s World First, accessory-free integration for Frame.io Camera to Cloud, and deliver photos or video straight to the cloud moments after they are created. Utilize the camera’s built-in Wi-Fi or Ethernet LAN connection to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 8K ProRes Video securely for immediate project team review and consideration.
A Complete Imaging Solution, Made Only by Fujifilm
With updated video functions that lead to simple post-production workflows, GFX100 II allows creators to go from an idea to the perfect story faster than ever. Native video functions like object priority AF, waveform and vector scope monitoring, a prominent recording flag that is visible around the live view area, and direct-to-SSD recording truly make GFX100 II an impressive, complete filmmaking tool, while a native integration with Atomos AirGlu™ BT2, brings timecode synchronization3 to a GFX System camera for the first time and IDT Support for the Academy Color Encoding System (ACES)4 brings the GFX System offerings into the world of motion production in ways never before available. And thanks to Fujifilm's one-of-a-kind colour science; photographers and filmmakers can take advantage of exclusive film simulation modes directly within GFX100 II, which now includes REALA ACE mode, a film simulation mode that delivers neutral colour reproduction with high-contrast tonal gradations. Inspired by decades of analog film development, image-makers can choose REALA ACE mode, or otherwise a film simulation mode that best fits the mood and that aligns with their creative inspiration.
What's Included
GFX 100 II Medium Format Mirrorless CameraBCP-002 Body Cap
Battery
Battery Charger
Strap
Hot Shoe Cover
Product Specifications
GFX100 II |
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Number Of Effective Pixels | 102 million pixels |
Image Sensor | 43.8mm×32.9mm GFX 102MP CMOS II HS with primary colour filter |
Sensor Cleaning System | Ultra Sonic Vibration |
Image Processing Engine | X-Processor 5 |
Storage Media | CFexpress Type B Card (-2TB) SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. |
File Format (Still) | DCF: Compliant with Design rule for Camera File system (DCF2.0), JPEG: Exif Ver.2.32*, HEIF: 4:2:2 10bit, RAW: 14bit / 16bit RAW (RAF original format), TIFF: 8bit / 16bit RGB (In-camera Raw Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
Number Of Recorded Pixels | L: [4:3] 11648 x 8736 [3:2] 11648 x 7768 [16:9] 11648 x 6552 [1:1] 8736 x 8736 [65:24] 11648 x 4304 [5:4] 10928 x 8736 [7:6] 10192 x 8736 M: [4:3] 8256 x 6192 [3:2] 8256 x 5504 [16:9] 8256 x 4640 [1:1] 6192 x 6192 [65:24] 8256 x 3048 [5:4] 7744 x 6192 [7:6] 7232 x 6192 S: [4:3] 4000 x 3000 [3:2] 4000 x 2664 [16:9] 4000 x 2248 [1:1] 2992 x 2992 [65:24] 4000 x 1480 [5:4] 3744 x 3000 [7:6] 3504 x 3000 |
Lens Mount | FUJIFILM G mount |
Sensitivity Standard Output | AUTO1/ AUTO2/ AUTO3/ ISO80~12800 (1/3 step) |
Sensitivity Extended Output | ISO40/ 25600/ 51200/ 102400 |
Exposure Control | TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted |
Exposure Mode | P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure) |
Exposure Compensation | STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step) |
Image Stabilizer Mechanism | Image sensor shift mechanism with 5-axis compensation |
Image Stabilizer Compensation Effect | 8.0 stops (based on CIPA standard). Pitch/yaw shake only. With GF63mmF2.8 R WR lens mounted |
Image Stabilizer Digital Image Stabilization | Yes movie mode only |
Image Stabilizer Is Mode Boost | Yes movie mode only |
Shutter Type | Focal Plane Shutter |
Shutter Speed Mechanical Shutter | P mode: 30sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 60min to 1/4000, Bulb mode: up to 60min |
Shutter Speed Electronic Shutter | P mode: 30sec to 1/32000, A mode: 30sec to 1/32000, S/M mode: 60min to 1/32000, Bulb mode: up to 60min *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
Shutter Speed Mechanical + Electronic Shutter | P mode: 30sec. to 1/32000, A mode: 30sec. to 1/32000, S/M mode: 60min. to 1/32000, Bulb mode: up to 60min. *Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
Shutter Speed E-Front + Mechanical Shutter | P mode: 30sec. to 1/4000, A mode: 30sec. to 1/4000, S/M mode: 60min. to 1/4000, Bulb mode: up to 60min. *Electronic front curtain shutter works until 1/1250sec. *When using the electronic front curtain shutter, the continuous shooting supports CL only. |
Shutter Speed Movie | 8L: 1/4000sec. To 1/24 sec., 5.8K: 1/4000sec. to 1/24 sec., 5.4K: 1/4000sec. to 1/24 sec., 4.8K: 1/4000sec. to 1/24 sec., 4.6K (ANAMOR): 1/4000sec. to 1/24 sec., DCI4K/4K: 1/4000sec. to 1/8 sec., FHD: 1/4000sec. to 1/8 sec. *Cannot choose slower shutter speed than framerate for some settings. |
Synchronized Shutter Speed For Flash | Mechanical Shutter: 1/125 sec. or slower |
Continuous Shooting | Electronic Shutter Approx. 8.7fps [35mm Format Mode ON] (JPEG: 260+ frames, Compressed RAW: 260+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames, Compressed RAW + JPEG: 156 frames, Lossless compressed RAW + JPEG: 148 frames, Uncompressed RAW + JPEG: 71 frames) Electronic Shutter Approx. 5.8fps [35mm Format Mode ON] (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames, Compressed RAW + JPEG: 1000+ frames, Lossless compressed RAW + JPEG: 1000+ frames, Uncompressed RAW + JPEG: 1000+ frames) Electronic Shutter Approx. 5.3fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 390 frames, Compressed RAW + JPEG: 119 frames, Lossless compressed RAW + JPEG: 119 frames, Uncompressed RAW + JPEG: 98 frames) Mechanical Shutter Approx. 8fps (JPEG: 1000+ frames, Compressed RAW: 325 frames, Lossless compressed RAW: 302 frames, Uncompressed RAW: 76 frames, Compressed RAW + JPEG: 75 frames, Lossless compressed RAW + JPEG: 75 frames, Uncompressed RAW + JPEG: 55 frames) Mechanical Shutter Approx. 5fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 497 frames, Compressed RAW + JPEG: 153 frames, Lossless compressed RAW + JPEG: 152 frames, Uncompressed RAW + JPEG: 116 frames)) Mechanical Shutter Approx. 2fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames, Compressed RAW + JPEG: 1000+ frames, Lossless compressed RAW + JPEG: 1000+ frames, Uncompressed RAW + JPEG: 1000+ frames) Mechanical Shutter Approx. 3fps (JPEG: 1000+ frames, Compressed RAW: 1000+ frames, Lossless compressed RAW: 1000+ frames, Uncompressed RAW: 1000+ frames) *Electronic Front Curtain Shutter support CL only. *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
AE Bracketing | AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: by 1/3EV step, up to ±3EV steps), Film Simulation bracketing (Any 3 types of film simulation selectable), Dynamic Range Bracketing (100%, 200%, 400%), ISO sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV), White Balance Bracketing (±1, ±2, ±3), Focus Bracketing (AUTO, MANUAL), Multiple Exposure (Yes, Max. 9 frames, Additive, Average, Bright, Dark) |
Pixel Shift Multi Shot High Resolution + Accurate Colour | Yes |
Pixel Shift Multi Shot Accurate Colour | Yes |
Focus Mode | Single AF/ Continuous AF/ MF |
Focus Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
Focus Low-Light Performance | Phase Detection: -5.5EV/ Contrast: -2.5EV *GF80mmF1.7 attached |
AF Frame Selection | Single point AF: EVF/ LCD: 13×9/ 25×17 (Changeable size of AF frame), Zone AF: 3×3/ 5×5/ 7×7/Custom1-3 from 117 areas on 13×9 grid, AF-S: Wide / AF-C: Tracking, All |
Face/Eye Detection | Yes |
Subject Detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) |
White Balance | Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Colour temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent Light 1, Fluorescent Light 2, Fluorescent Light 3, Incandescent light, Underwater |
Self-Timer Still | 10sec./ 2sec. |
Self-Timer Movie | 10sec./ 5sec. /3sec. |
Interval Timer Shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
Flash | No |
Flash Sync Mode | 1st Curtain 2nd Curtain AUTO FP (HSS) |
Flash Mode | TTL(TTL AUTO / STANDARD / SLOW SYNC.) / MANUAL / MULTI *When EF-X500 is set / OFF |
Synchronized Terminal | Sync Mode: 1st Curtain/2nd Curtain Flash Mode: MANUAL |
Hot Shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder EVF | 0.64 inch OLED Colour Viewfinder Approx. 9.44 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 21mm (fron the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5~+2m-1 Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° ) Built-In Eye Sensor |
LCD Monitor | 3.2 inch Tilt-Type (Three Direction) Touch Screen Colour LCD Monitor Aspect Ratio: 4:3 Approx. 2.36 million dots |
Touch Screen Shooting Mode | AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
Touch Screen Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag |
Sub Monitor | Yes |
Sub LCD Monitor | 2.09 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 320x219-dot |
File Format (Movie) | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling), Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling), Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling), HEVC/H.265 - Linear PCM (Stereo sound 24bit / 48KHz sampling), MPEG-4 AVC/H.264 - Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264 - AAC |
Movie Compression | All Intra, Long GOP |
File Size / Frame Rate / Recording Time | 8K [17:9] - 8192 x 4320 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 8K [16:9] - 7680 x 4320 29.97p/25p/24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 8K [2.76:1] - 8192 x 2968 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 5.8K [2.35:1] - 5824 x 2476 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 5.4K [17:9] - 5440 x 2868 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 4.8K [3:2] - 4776 x 3184 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 4.8K [16:9] - 4776 x 2688 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 4.6K [1.38:1] - 4664 x 3380 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps DCI4K [17:9] - 4096 x 2160 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps 4K [16:9] - 3840 × 2160 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD [17:9] -2048 × 1080 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD [16:9] - 1920 × 1080 59.94p/ 50p/ 29.97p/ 25p/ 24p/ 23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps Full HD High speed rec. [17:9] - 2048x1080 120p/ 100p 720Mpbs(recording)/ 360Mbps(recording)/ 200Mbps(recording) Full HD High speed rec. [16:9] - 1920x1080 120p/ 100p 720Mpbs(recording)/ 360Mbps(recording)/ 200Mbps(recording) *Selectable mode will be changed depending on the "Image Format" setting. *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. |
Film Simulation Mode | 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) |
Clarity Setting | ±5 steps |
Monochromatic Colour | Yes |
Grain Effect | Roughness STRONG, WEAK, OFF, Size LARGE, SMALL |
Colour Chrome Effect | STRONG, WEAK, OFF |
Colour Chrome Blue | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Dynamic Range Setting | AUTO / 100% / 200% / 400% DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more |
Dynamic Range Setting (Movie) | 100%, 200%, 400% DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more |
Wireless Transmitter Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Wireless Transmitter Encryption | WPA/WPA2 mixed mode, WPA3 |
Wireless Transmitter Access Mode | Infrastructure |
Bluetooth® Standard | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Bluetooth® Operating Frequency | 2402〜2480MHz |
Terminal - Digital Interface | USB Type-C (USB3.2 Gen2x1) |
Terminal - Hdmi Output | HDMI connector (Type A) |
LAN Terminal | 1000BASE-T、100BASE-TX、10BASE-T |
Power Supply | NP-W235 Li-ion battery (included) *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
Battery Life For Still Images | Normal Mode Approx. 540 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
Actual Battery Life For Movie Capture | 8K Approx 60 min. (29.97p), 4K Approx. 60min. (59.94p), Full HD Approx. 80min. (59.94p) *Face detection is set to OFF |
Continuance Battery Life For Movie Capture | 8K Approx 80 min. (29.97p), 4K Approx. 90min. (59.94p), Full HD Approx. 140min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. |
Physical Specs |
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Camera External Dimensions | (W) 152.4mm x (H) 117.4mm x (D) 98.6mm Minimum Depth 46.5mm Excluding EVF (W) 152.4mm x (H) 103.5mm x (D) 73.5mm Minimum Depth 46.5mm |
Camera Body Weight | Approx. 948g (including EVF: 1,030g) - Including battery and memory card Approx. 867g (including EVF: 949g) - excluding battery and memory card |
Operating Temperature | -10℃~+40℃ |