- Rental ID: 101116-C • Webcode: 471027
Rental Details
- 2-day Rental Limit. Includes one 512gb CFexpress Type B card.
Included in Rental
- 1 Canon EOS R5 Mark II Mirrorless Camera Body
- 2 Canon LP-E6P Lithium-Ion Battery
- 1 Canon LC-E6 Battery Charger for
- 1 Tether Tools USB to USB-C 15' (4.6m)
- 1 Wacom 2.5' USB-C to USB-C
- 1 Sandisk 512GB CFexpress Type B Card
- 1 Sandisk CFexpress Card Reader/ Writer
- 1 Angelbird AVPRO 512GB CFexpress 2.0
- 1 Delkin 512GB CFexpress Type B Card
- 1 Canon EF-EOS R Lens Mount Adapter
Product Highlights
- 45 MP Stacked BSI CMOS Sensor
- Full-Frame Format
- 8K (8192x4320) @60fps Video Recording
- ISO 100-102400 Sensitivity
- 30 fps Continuous Shooting (Electronic)
- 12 fps Continuous Shooting (Mechanical)
- CFexpress & SD UHS-II Memory Card
- 3.2" Vari-Angle LCD Touchscreen
- RF Mount
Canon EOS R5 Mark II w/ EF Lens Adapter
$320.00/day or weekend
$960.00/week Add to Request
$960.00/week Add to Request
Overview
EOS R5 Mark II
The EOS R5 Mark II is a worthy successor to the incredibly versatile EOS R5 bringing a host of new features that make this the most powerful EOS 5 series camera ever. It starts with a brand-new 45MP sensor that is back illuminated and stacked for blazingly fast read-out speeds that allow for a 30 fps electronic shutter, then builds on that with major focus improvements, increased video capabilities, and so much more.
DIGIC Accelerator
The DIGIC Accelerator chip is a completely new front-end processor developed by Canon to supplement the power of the proven DIGIC X processor. The DIGIC Accelerator handles the processing that makes so many of the new features of this camera possible, allowing the DIGIC X chip to focus solely on image processing, again contributing to incredible speed. The DIGIC Accelerator processes large volumes of data directly from the image sensor for actions like AF detection to exposure metering calculations that enable eye-control focus, subject identification and tracking, and even deep learning with features like neural upscaling and noise reduction.
Totally New Sensor
Even though the pixel count is the same as the EOS R5, this is a completely new 45MP sensor design. This new full-frame sensor is stacked and back-illuminated allowing for incredible electronic shutter performance of 30 fps RAW or full-resolution JPEG still images. Sensor read-out speeds are dramatically increased, significantly reducing rolling shutter distortion. Pre-continuous shooting is now possible in electronic shutter mode, when the shutter is pressed halfway the camera begins capturing images, and when fully pressed, the previous ½-second of images are written to the memory card.
Time to Focus
Autofocus has been significantly updated on the EOS R5 Mark II with features like subject tracking which it shares with the new flagship EOS R1. Subject tracking allows you to maintain focus on a subject even when they are obscured briefly while shooting. And, for even faster positioning of your active AF Area, the R5 Mark II adds Canon’s Eye Control AF - even more advanced than the Eye Control in the EOS R3 camera. Once you calibrate the viewfinder to your eye, just look where you want to focus, and the AF Area will move there when you press the AF activation button.
Action Priority
Thanks again to the increased camera processing power of the DIGIC Accelerator chip, we have developed a new AF mode called Action priority. This new focusing technology selects subjects according to movement and other factors so you always get a great action shot! This feature works with three sports at the moment, soccer, volleyball, and basketball. With Action priority the camera can recognize and track specific people, and takes into account ball tracking, movement tracking, eye-control AF and more to help ensure you get the action shot you want when everything is moving so fast.
Subject Tracking of People and Animals Using Deep Learning Technology
With its 45MP sensor, 8K video up to 60 frames per second can be recorded internally, to the camera’s CFexpress card (sold separately). A new menu now includes Cinema EOS terminology, making it even easier for users to access and understand the video features of this camera, and be easily integrated into video productions where Cinema EOS cameras may be used like the EOS C70 or EOS C400. RAW video can be recorded at 8K resolution, and there’s now an S-RAW setting for 4K RAW video recording. RAW video is now 14-bit recording, for even greater range of tonalities. For users who don’t need RAW video, MP4-type video can be recorded in a multitude of possible file types and resolutions, from Full HD (at up to 240 frames per second), 4K at up to 120 frames per second with sound and 8K. Any of the “Fine” options record oversampled video, for even greater sharpness and detail. Canon Log 2 and C-Log 3 are available. And, the R5 Mark II adds features like a full-size HDMI port on the camera, Waveform monitors, and up to 24-bit, 4-channel audio recording.
More Power
With all of the enhancements to the new EOS R5 Mark II, it requires a little more power than the previous EOS Mirrorless cameras, and therefore ships with a new, higher amperage battery, the LP-E6P. This battery is the same size and shape of previous LP batteries, but is easily distinguished from older models by featuring a white stripe and white Canon logo. This new battery can be used in older Canon mirrorless and even DSLR cameras, but will require a camera firmware update to do so.
Bright and Clear EVF
A new Electronic viewfinder is now the same 0.5-inch 5.76 million dot OLED EVF you would find in the EOS R3 with approx. 100% coverage, 0.76x magnification, and an eyepoint of approx. 24mm. Some of the EVF lenses inside the body are sealed in an airtight structure making it difficult for the viewfinder to fog up.
Weather Resistance
The EOS R5 Mark II is dust- and weather-resistant, with the same performance as the EOS R5, even when using one of the new optional grips.
Dual Card Slots for CFexpress and UHS-II SD Memory Cards
Whether you are shooting photos every day, or are recording 8K videos, the EOS R5 Mark II camera can capture an incredible amount of images through its super high-speed CFexpress dual card slots. Plus a UHS-II SD*** card slot is also provided at your disposal. The two card slots can be utilized for separate recording of still photos and movies, main and proxy recording of movies, and recording to multiple cards.
Improved Image Stabilization
The EOS R5 Mark II has the same 5-axis in-body stabilization as the original R5 that provides optimal image stabilization, and uses coordinated IS in conjunction with RF lenses that have built-in IS. Roll operation range is now approx. 2xthat of the EOS R3, and when a compatible lens is used*3, the CMOS sensor suppresses blurring at the periphery of the image, and even at the center. Additionally, the IS algorithm has been updated and a new mechanical design now allows for 8.5 stops of coordinated correction at the center, and 7.5 stops at the periphery.
Optional Grips
The EOS R5 Mark II has three optional grips that provide additional battery power and exciting new functionality:
-
Battery Grip BG-R20
The BG-R20 battery grip allows for 2 LP-E6P batteries and provides controls for vertical shooting, including an improved multi-controller position.
-
Battery Grip CF-R20EP
The CF-R20EP battery grip allows for 2 LP-E6P batteries and consists of multispeed fan, 2.5G Base-T Ethernet Port.
-
Battery Grip BG-R20EP
The BG-R20EP battery grip allows for 2 LP-E6P batteries and consists of 2.5G Base-T Ethernet Port.
What's Included
EOS R5 Mark II Mirrorless Camera BodyStrap
R-F-5 Camera Cover
ER-SC3 Shoe Cover
LP-E6P Lithium-Ion Battery
LC-E6 Charger for LP-E6 and LP-EL Battery Packs
Battery Pack Cover
Product Specifications
EOS R5 Mark II |
|
|---|---|
Type |
|
| Type | Digital interchangeable lens mirrorless camera |
| Image Processor | DIGIC X (with DIGIC Accelerator co-processor) |
| Recording Media | Card 1: CFexpress memory card Type B: Card slot CFexpress 2.0 and VPG400 supported Up to 2 TB is supported (a card exceeding 2 TB is handled as a card of 2 TB). Card 2: SDXC/SDHC/SD memory card Compatible with UHS-II Eye-Fi cards and MultiMediaCards (MMC) not supported |
| Compatible Lenses | Canon RF lens group (including RF-S lenses) When using Mount Adapter EF-EOS R: Canon EF or EF-S lenses (excluding EF-M lenses) |
| Lens Mount | Canon RF Mount |
Image Sensor |
|
| Type | Canon designed full-frame back-illuminated stacked CMOS sensor (compatible with Dual Pixel CMOS AF and Cross-type AF) |
| Effective Pixels | Approx. 45 megapixels |
| Sensor Size | Approx. 36.0 x 24.0 mm |
| Pixel Size | Approx. 4.40 μm square |
| Total Pixels | Approx. 50.3 megapixels |
| Aspect Ratio | 3:2 (Horizontal: Vertical) |
| Colour Filter System | RGB primary colour filters |
| Low Pass Filter | Installed in front of the image sensor, non-detachable |
| Dust Deletion Feature | (1) Self Cleaning Sensor Unit Removes dust adhering to the low-pass filter. At power off only / Enable / Disable. Performed automatically (taking about approx. 2 sec. as indicated on the screen) or manually (taking about approx. 8 sec. as indicated on the screen). After manually activated cleaning, the camera will automatically restart (Power OFF to ON). When [Multi Shot Noise Reduction], [Multiple exposures], or [HDR mode] is set, [Clean now] and [Clean manually] cannot be selected. (2) Dust Delete Data acquisition and appending The coordinates of the dust adhering to the low-pass filter are detected by a test shot and appended to subsequent images. The dust coordinate data appended to the image is used by the EOS software to automatically erase the dust spots. Not available with RF-S/EF-S lenses, in cropped shooting, during focus bracket shooting, in FAW burst mode, or multiple-exposure shooting. (3) Manual cleaning (by hand) |
Recording System |
|
| Recording Format | Compliant to Design rule for Camera File system 2.0 and Exif 2.31 |
| Image Format | RAW: RAW / C-RAW JPEG / HEIF: L / M / S1 / S2 Movies: RAW XF-HEVC S YCC422 10bit XF-HEVC S YCC420 10bit XF-AVC S YCC422 10bit XF-AVC S YCC420 8bit |
| Folder | Selectable between sRGB and Adobe RGB |
| Folder Actions | Select folder, Create Folder, Change Folder name |
Folder Name |
|
| Still Photos | DCF standards compliant. The following folder is created automatically in the DCIM folder. Default: EOSR5. *This can be changed to any character string (5 characters). |
| Movies | XF-HEVC S / XF-AVC S format REEL_**** in XFVC folder A normal movie file (MP4) is saved. REEL_**** in CRM folder A RAW movie file (CRM) is saved. In each REEL_**** folder: * Up to 999 files can be saved in one folder. When [Add News Metadata: On], an XML file is saved to the same location as the movie file in the card after movie recording. |
| News Metadata | XF-HEVC S / XF-AVC S format News Metadata is saved in the XMLTAG folder in the currently selected card. * Up to 100 XML files can be saved in one XMLTAG folder. NewsML-G2 standard compliant When [Add News Metadata: On] is set, news metadata (XML file) of the movie associated with the set news metadata is generated. * The name of the generated XML file is the same as the name of the movie file (only the extension differs). * The news metadata (XML file) is saved to the same location as the movie file in the card after movie recording. *When news metadata has been set from Content Transfer Professional, the news metadata set from the card inserted in the camera is disabled (that of the app has priority). |
File Numbering |
|
| File Numbering Methods | Continuous numbering: The numbering of captured images continues even after you replace the card. Auto reset: When you replace the card, the numbering will be reset to start from 0001. If the new card already contains images, the numbering will continue from the last recorded image in the card. |
| Manual Reset | Resets the file number to 0001, and creates a new folder automatically. * When manually resetting the file number, folders can also be renamed. |
| Clip Number | Continuous numbering: The numbering of captured clips continues from the last recorded clip even after you replace the card. Auto reset: When you replace the card, the numbering will be reset to start from 001. If the new card already contains clips, the numbering will continue from the last recorded clip in the card. |
Recording Media |
|
| Recording Media | Card 1: CFexpress memory card Type B: Card slot CFexpress 2.0 and VPG400 supported Up to 2 TB is supported (a card exceeding 2 TB is handled as a card of 2 TB). Card 2: SDXC/SDHC/SD memory card Compatible with UHS-II Eye-Fi cards and MultiMediaCards (MMC) not supported |
| Card Access Indicator | Access lamp lights up in red or blinks in red |
| Read Error Warning | The error warning is displayed in the viewfinder and on the screen Shutter release lock |
| Card Formatting | Normal formatting Low-level formatting |
Max. File Size |
|
| CFexpress | Unlimited |
| SDXC / SDHC / SD | Card - Format - Maximum File Size SDXC - exFAT - Unlimited SDHC - FAT32 - 4 GB (If exceeded, a new file is created for movie recording.) SD - FAT16/FAT12 - 2 GB (If exceeded, a new file is created for movie recording.) |
| No Card Warning | Supported |
| Shutter Release without a card | Supported |
Still Photo Recording |
|
| Image Size | RAW: RAW / C-RAW JPEG / HEIF: L / M/ S1 /S2 |
| HEIF | HEIF recording is available when [HDR shooting (PQ): HDR PQ] is set. * Conforms to MIAF (multi-image application format) standards. |
| C-RAW | RAW images conforming to the CR3 format that have smaller file sizes. * RAW offers better image quality than C-RAW. * Conversion from RAW to C-RAW or C-RAW to RAW is not possible. * Simultaneous recording of RAW and C-RAW is not supported |
| Dual Pixel RAW Shooting | Not supported |
| JPEG / HEIF Image Quality | The degree of compression is user-configurable in a range of 1–10 for each image size (L, M, S1, and S2). * The number of shots available at the specified JPEG or HEIF image quality level is displayed on the camera. |
| Still photo cropping / aspect ratio | Full-frame / 1.6x (crop) / 1:1 (aspect ratio) / 4:3 (aspect ratio) / 16:9 (aspect ratio) * Switching between [Shooting area: Masked/Outlined] is possible |
Recording Pixel Count |
|
| Image Type | Image type: Bit Depth JPEG: 8 bits HEIF: 10 bits RAW: 14 bits (14-bit A/D conversion), Canon original |
| RAW + JPEG/HEIF Simultaneous Recording | Simultaneous recording of any combination of RAW/C-RAW images and JPEG/HEIF images is supported. |
| One-Touch Switching of Image Quality | Available |
| Digital Tele-Converter | Not supported |
Proxy Movie |
|
| System Frequency | 59.94 Hz: NTSC / 50.00 Hz: PAL |
| Image Quality | High-quality 4K movies from 8K oversampling 4K-D Fine 4K-U Fine High-quality 2K movies from 4K oversampling 2K-D Fine Full HD Fine |
Movie Cropping |
|
| High Frame Rate (movie) | Disable / Enable * A movie recorded with [High Frame Rate: Enable] is played back at 29.97 fps (NTSC) / 25.00 fps (PAL) (played back in slow motion). * No audio is recorded for the movie recorded with [High Frame Rate: Enable]. * Automatically stops if the maximum recording time per movie (see “6.43.1 Maximum recording time per recording”) is exceeded. * HDMI output during recording is at 59.94 fps (NTSC) / 50.00 fps (PAL). * The time code counts up 8 sec. (at 239.76 / 200.00 fps) or 4 sec. (at 119.88 / 100.00 fps) per second of real time. * Only exFAT-formatted cards can be used for recording (recording to FAT32-formatted cards is not possible). * When RF-S or EF-S lens is used or when movie cropping enabled, only movie recording size of 2K-D /Full HD (119.88 / 100.00 fps) is available. |
| HDR Movie Mode | An HDR movie is created with a single exposure. Unnatural afterimages do not occur when, for example, shooting a moving subject. The shooting of movies with reduced clipped highlights is possible even in high contrast scenes. HDR Movie Recording: Enable / Disable Shadow compensation: Off / Standard / Brighter Satulation: -4 / -3 / -2 / -1 / 0 / 1 / 2 / 3 / 4 Limitation of maximum brightness: Disable / 1000 nits * Can be set in conjunction with [HDR PQ shooting: PQ]. * Movie digital IS and high-frequency anti-flicker shooting are possible. |
Movie with Cropping |
|
| Restrictions for HDR Movie Mode | * ISO 800 - ISO 128000 are settable for the ISO speed, and expanded ISO speeds cannot be set. * Picture Style is set to Standard automatically, and Custom Picture cannot be set. * Time-lapse movie recording and video calls / streaming are not possible. * Setting to High Frame Rate (movie), movies of 239.76 / 200.00 / 119.88 / 100.00 fps is not available. * HDMI RAW output is not possible. * Dual shooting (still & movie) is not possible. * Clarity or Auto Lighting Optimizer cannot be set. |
| Special Scene Mode | Not supported |
Dual Shooting |
|
| Still & Movie | Dual shooting (still & movie): On/Off * When using LP-E6P Battery / DR-E6P Power Adapter Drive mode: High speed / Low speed / Single shooting * High speed shooting: Max. approx. 7.5 shots/sec. (NTSC), Max. approx. 6.2 shots/sec. (PAL) * Low speed shooting: Max. approx. 5.0 shots/sec. (NTSC), Max. approx. 4.1 shots/sec. (PAL) JPEG quality: 1–10 (settable in 10 levels) |
| Movies | Main recording format: XF-AVC S YCC420 8 bit Movie recording size Resolution: Full HD (Normal) Frame rate: 29.97 (NTSC) / 25.00 (PAL) fps Compression method / LGOP |
| Still Photos | Recording pixel count: 7680×4320 Aspect ratio: 16:9 Recording image type: JPEG only * Movies are recorded to card 1, and still photos are recorded to card 2 (a card needs to be inserted in each slot). * A movie does not stop during still photo shooting. * Still photo shooting during movie recording is possible by shutter button, wired remote controller, wireless remote controller, and touch control. * The settings during movie recording are applied to still photos. * AF/AE operates with the settings suitable for movie recording. The color tone may differ from that of normal still photos depending on the timing of still photo shooting. |
| Restrictions with Dual Shooting | * With Movie crop setting or when using an RF-S / EF-S lens and RF5.2mm F2.8 L DUAL FISHEYE, the <A+> mode cannot be set. * Flash photography, anti-flicker shooting, time-lapse movie shooting, HDR shooting (PQ), and movie digital IS are not available. * The release time lag may be longer than when shooting normal still photos. * When the shutter speed is slow, the release time lag (of still photos) may become longer or the continuous shooting speed may be slower than when shooting normal still photos. * Custom Picture cannot be set (shooting is with Picture Style). * Focus breathing correction, chromatic aberration correction, and diffraction correction are not possible. * Upscaling, resizing, and cropping of shot still photos are not possible. * AF point information is not recorded for still photos. * High Frame Rate (movie), Auto Level, and HDMI RAW output are not available. * The internal temperature of the camera rises faster than normal Full HD movie recording. |
White Balance |
|
| Settings | (1) Auto (Ambience priority/White priority) (2) Daylight (3) Shade (4) Cloudy*1 (5) Tungsten light (6) White fluorescent light (7) Flash (8) Custom (Custom WB) (9) Color temperature |
| Auto White Balance | Option between ambience priority and white priority settings, using SET button |
| White Balance Shift | Blue/amber bias: ±9 levels Magenta/green bias: ±9 levels Shifted from the color temperatue of the current WB mode. Blue/amber and magenta/green shift can be set at the same time. WB Bracketing available, up to ±3 levels Blue/amber or magenta/green, via Quick Control Dial |
Viewfinder |
|
| Type | OLED color electronic viewfinder; 0.5-inch, approx. 9.44 million dots |
| Coverage | Approx. 100% vertically and horizontally relative to the shooting image area (with image quality L, at approx. 25mm eyepoint). |
| Magnification / Angle of View | Approx. 0.90x / Approx. 41.4 degrees (with 50mm lens at infinity, -1 m-1) |
| Eye Point | Approx. 25mm (at -1 m-1 from the eyepiece lens end) |
| Dioptric Adjustment Range | Approx. -4.0 to + 2.0 m-1 (dpt)* *1: Dioptric adjustment lock mechanism |
| Viewfinder Information | (1) Maximum burst (2) Possible shots/Sec. until self-timer shoots (3) Focus Bracketing/ Multiple-exposure/HDR shooting/Multi Shot Noise Reduction/Bulb time/Interval timer (4) Shooting mode (5) AF method (6) AF operation (7) Image quality (8) Card (9) Drive mode (10) Metering mode (11) No. of remaining shots for focus braketing, multiple exposures, or interval timer (12) Electronic level (13) Movie recording time available (14) Battery level (15) Image Stabilizer (IS mode) (16) Histogram (Brightness/RGB) (17) Quick Control button (18) Anti-flicker shooting (19) White balance/White balance correction (20) Picture style (21) Auto Lighting Optimizer (22) Still photo cropping / Aspect ratio (23) AF point (1-point AF) (24) AEB/FEB (25) View Assist (26) HDR PQ (27) Flash ready / FE lock / High-speed sync (28) Electronic shutter (29) Touch shutter / Create folder (30) AE lock (31) Shutter speed / Multi-function lock warning (32) Aperture value (33) Wi-Fi® function (34) Wi-Fi® signal strength (35) Bluetooth® function (36) Exposure simulation (37) Magnify button (38) ISO speed (39) Highlight tone priority (40) Exposure compensation (41) Exposure level indicator |
Autofocus |
|
| Focus Method | Dual Pixel CMOS AF |
| Cross-Type AF | Supported * Dual Pixel CMOS AF has been vertical-line detection only with previous models, but the K495 can perform not only vertical-line detection but also horizontal-line detection by rotating the pupil division direction of the Gb pixels of the CMOS sensor by 90 degrees. * Cross-type AF functions under the conditions indicated by “Yes” in the table below during still photo shooting (not supported during movie recording). * Cross-type can be performed in the whole focusing area. * Cross-type does not function (vertical-line detection only) during movie recording, when using Preview AF, when using Focus guide, when the image flickers under fluorescent lighting, LED lighting, or other flickering light sources, and when operating the SA control ring of RF100mm F2.8 L MACRO IS USM. |
| Number of AF Zones available for Automatic Selection | AF area: Horizontal: Approx. 100% x Vertical: Approx. 100% (100% x 100% AF coverage in Face Detect + Tracking AF; coverage can vary, depending upon lens being used) Stills: Max. 1053 zones (39 x 27) Movies: Max. 975 zones (39 x25) |
| Selectable Positions for AF Point | AF area: Horizontal: Approx. 90% x Vertical: Approx. 100% Stills: Max. 5850 positions (78 x 56) Movies: Max 4500 positions (90 x 50) * May vary depending on settings.. |
| Focusing Brightness Range (Still photo shooting) | EV –7.5 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, and ISO 100) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Focusing Brightness Range (Movie Recording) | 4K30p: EV -5.5 to 21 Full HD30p: EV -5.0 to 21 (with an f/1.2 lens,* center AF point, One-Shot AF at room temperature, ISO 100, and 29.97 / 25.00 fps.) * Except RF lenses with a Defocus Smoothing (DS) coating. |
| Available AF Areas | Spot AF 1-point AF Expand AF area: Above/below/left/right Expand AF area: Around Flexible Zone AF 1 Flexible Zone AF 2 Flexible Zone AF 3 Whole area AF Whole area tracking OFF Spot AF Whole area tracking OFF 1-point AF Whole area tracking OFF Expand AF area: Above/below/left/right Whole area tracking OFF Expand AF area: Around |
| Available Subject Detection | Auto People Animals (dogs / cats / birds / horses) Vehicles (motorsports cars or motorcycles / aircraft / trains) * Certain types of animals or vehicles may not be detected, depending on shape and appearance |
| Eye Detection | Auto: Selects the eye closer to the camera (as detected from the angle of the face). At the same distance from the camera, selects the eye closer to the center of the image. Right Eye: Prioritizes the subject’s right eye. Left Eye: Prioritizes the subject’s left eye. |
Exposure Control |
|
| Metering Modes | Real-time metering from CMOS image sensor (6144 96x64] metering zones) (1) Evaluative metering (AF point-linked) (2) Partial metering (approx. 10.0% of the area at the center of the screen) (3) Spot metering (approx. 5.0% of the area at the center of the screen) (4) Center-weighted average metering |
| Metering Range | EV -3 to 20 (at 73°F/23°C, ISO 100) (Still Photo Shooting) |
| Exposure Modes | Shooting Mode - Name A+ - Scene Intelligent Auto Fv - Flexible-priority AE P - Program AE Av - Aperture-priority AE M - Manual exposure Tv - Shutter-priority AE BULB - Bulb exposure C1/C2/C3 - Custom shooting |
| ISO Speed Range | Manually Set Normal ISO 100–102400 (in 1/3- or 1-stop increments) Expanded L (equivalent to ISO 50), H1 (equivalent to ISO 204800) and H2 (equivalent to ISO 409600) * When set to [Highlight tone priority], the available manual setting range is ISO 200–102400. * Expanded ISO speeds are not available when [HDR shooting (PQ): HDR PQ] is set. ISO Auto range settings in still photo shooting Auto Range ISO Speed Minimum ISO 100–51200 (in 1-stop increments) Maximum ISO 200–102400 (in 1-stop increments) ISO Auto details in still photo shooting No Flash Using Flash Compatible Lens Incompatible Lens ISO 100*1*2 – 102400*2 ISO 100*1*2 – 6400*2 ISO 100*1*2 – 1600*2 ISO 400*3 ISO 400*3 |
| Exposure Compensation | User-set - ±3 stops in 1/3- or 1/2-stop increments AEB - ±3 stops in 1/3- or 1/2-stop increments |
| AE Lock | 1) Auto AE lock
|
Shutter |
|
| Type | Electronically controlled focal-plane shutter (1) Electronic first curtain (2) Mechanical shutter (3) Electronic shutter* * Cannot be used in conjunction with the following functions: flash photography, HDR shooting, multiple exposures, Multi Shot Noise Reduction, AEB, HDR PQ, anti-flicker shooting, Dual Pixel RAW shooting, Digital Lens Optimizer [High]. * A shutter release sound is not generated. However, note that the sounds other than the shutter release sound (aperture, focusing lens drive sound/electronic sound, etc.) may be generated. * In electronic shutter shooting under conditions such as flash firing by other cameras or with fluorescent lighting or other flickering light sources, a strip of light or banding due to the brightness difference may be recorded in the image. |
| Shutter Speeds | Mechanical / 1st-curtain Electronic shutter: 1/8000th sec – 30 seconds, in 1/3 or ½-step increments Electronic shutter: 1/64,000th sec – 30 seconds, in 1/3 or ½-step increments |
| X-Sync Speed | Mechanical Shutter: 1/200 sec. Elec. 1st-curtain: 1/250 sec. |
| Shutter Release | Soft-touch electromagnetic release |
| Self Timer | 10-sec delay, 2-sec delay, Continuous |
Image Stabilization (IS Mode) |
|
| Still Photo IS | In-body IS operation can be selected when using a non-IS lens.
|
External Speedlite |
|
| Accessory Shoe | Canon Multi-function accessory shoe
|
| E-TTL Balance | Ambience priority, standard, flash priority |
| Flash Exposure COmpensation | ±3 stops in 1/3- or 1/2-stop increments |
| Continuous Flash Control | E-TTL each shot / E-TTL 1st shot |
HDR Shooting |
|
| HDR Shooting (HDR PQ) | Disable / HDR PQ |
| Still Photo HDR PQ | Recording format Bit depth Color sampling method HDR specification HEIF 10 bit YCbCr 4:2:2 ITU-R BT.2100 (PQ) |
| Movie HDR PQ | Recording format Bit depth Color sampling method HDR specification mp4 10 bit YCbCr 4:2:2 ITU-R BT.2100 (PQ) |
| Continuous HDR Shooting (still images) | 1 shot only / Every shot |
Video Shooting |
|
| Shooting Times | High-frame rate disabled 100.00 fps or more: Maximum: 2 hr. 00 min. 00 sec. 59.94 fps or less: Maximum: 6 hr. 00 min. 00 sec. High-frame rate enabled 239.76 / 200.00 fps: Maximum: 45 min. 00 sec. 119.88 / 100.00 fps: Maximum: 1 hr. 30 min. 00 sec. |
| Video AF | Dual Pixel CMOS AF; Movie Servo AF available in AF Menu |
| Exposure Compensation | ±3 stops in 1/3- or 1/2-stop increments |
| Time Code | Yes (Count up, Start time setting, Movie recording count, Movie play count, HDMI time code on/off, HDMI rec. command on/off, Drop frame enable/disable) |
| Movie Pre-Recording (On/Off) | 3 or 5 seconds; user-selectable |
| Time-Lapse Movie Setting | Interval 2 sec – 99:59:59; Number of frames 2–3,600; Movie recording size 4K/Full HD; Auto exposure fixed @ first frame/auto for each frame; Beep per frame recorded (volume setting 0/silent – 5) |
| Time-Lapse Playback Frame Rate | 29.97 (set to NTSC); 25.00fps (set to PAL) |
LCD Screen |
|
| Type | TFT Colour, liquid-crystal monitor |
| Monitor Size | 3.0-inch (screen aspect ratio of 3:2) 2.95 in./7.5cm diagonal (2.44 in./6.2cm width, 1.65 in./4.2cm height) |
| Dots | Approx. 2.1 million dots |
| Coverage | Approx. 100% vertically/horizontally |
| Brightness Control | Manually adjustable to one of seven brightness levels |
| Touch-screen Operation | Supported for AF Point selection; Touch AF; Touch Shutter; Menu selection; Quick Control Menu; Magnified view |
| Coating | Clear View LCD II
|
| Interface Languages | 29 (English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Ukraine, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Vietnamese, Hindi, Romanian, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, Malay, Indonesian, Japanese) |
Playback |
|
| Display Format | Rating OFF / 1 to 5 Stars Select images / Select range / All images in folder / All images on card / All found images Image Search Search conditions Rating / Date / Folder / Protection / Type of file Protect Select images / Select range / All images in folder / Unprotect all images in folder / All images on card / Unprotect all images on card / All found images Shooting information display No information display / Basic information display / Detailed shooting information display |
| Highlight Alert | White areas without image data blink in single-image display. |
| Histogram | Brightness / RGB |
Quick Control Function |
|
| Function | The Quick Control screen can be accessed by pressing the Quick Control button during shooting, recording, or playback. |
| Quick Control Screen | The following settings are available for the [Quick Control screen] during movie recording. View 1: Conventional Quick Control screen View 2: Cinema EOS-style Quick Control screen |
Image Protection and Erase |
|
| Protection | (1) Single image (select image) (2) Select range (3) All images in a folder (4) All images on card
|
| Erase | Except protected images (1) Select images to erase (2) Select range (3) All images in folder (4) All images on card (5) All found images (only during image search) |
Direct Printing |
|
| Compatible Printers | Direct printing from camera not supported |
DPOF: Digital Print Order Format |
|
| DPOF | Compliant to DPOF Version 1.1 |
Wi-Fi |
|
| Standards Compliance | IEEE 802.11b/g/n/a/ac/ax |
| Transmission Method | DS-SS modulation (IEEE 802.11b) OFDM modulation (IEEE 802.11g/n/a/ac) |
| Transition Frequency (Central Frequency) | 2.4 GHz band Frequency: 2412 to 2462 MHz Channels: 1 to 11 channels 5.0 GHz band Frequency: 5180 to 5825 MHz Channels: 36 to 165 channels 6.0 GHz band Frequency: 5955 to 7095 MHz Channels: 1 to 229 channels |
| Connection Method | (1) Camera access point mode (2) Infrastructure mode |
| Communication with a Smartphone |
|
| Remote Operation Using EOS Utility | The camera can be controlled via Wi-Fi or USB, with Canon EOS Utility software installed in a compatible Mac or Windows computer. |
| Print from Wi-Fi Printers | Not supported |
| Send Images to a Web Service | image.canon: Video files (MP4) and JPEG, HEIF, RAW or C-RAW still images can be uploaded to image.canon servers. From image.canon, images can be sent to specific social media and 3rd-party cloud image services. |
Bluetooth |
|
| Standards Compliance | Bluetooth Specification Version 5.3 compliant (Bluetooth Low Energy technology) |
| Transmission Method | GFSK Modulation |
| Bluetooth Pairing | Smartphone - up to 25 devices; BR-E1 remote controller - 1 Unit |
Customization |
|
| Available Functions | Dial direction during Tv/Av; Control ring rotation direction; Customize buttons; Customize dials |
Video Calls / Streaming |
|
| USB Video Class (UVC) | Available * The camera is accessible to software (such as Zoom™, MS Teams™, Skype™, etc.) on a computer once connected via USB. |
| Custom Controls | Customizable Buttons
|
| Customizable Dials |
|
| My Menu Registration |
|
Interface |
|
| USB Terminal | Equivalent to SuperSpeed Plus USB (USB 3.2 Gen 2)
|
| HDMI Out Terminal | HDMI OUT terminal (Type A)
|
| Clean HDMI Output | Provided |
| Microphone Terminal | 3.5mm diameter stereo mini jack |
| Headphone Terminal | Compatible with 3.5mm diameter stereo mini-plug |
Power Source |
|
| Battery | Canon LP-E6P battery pack (LP-E6NH/LP-E6N can also be used but functionality is limited)
|
| Optional Battery Grip | Compatible with Canon Battery Grip BG-R10 (Accepts one or two LP-E6NH, LP-E6N, or LP-E6 battery packs) |
| Battery Check | Automatic battery check with 6-level display when the power switch is turned ON. Displayed in 6 levels in viewfinder, and on LCD screen. Battery info display in Set-up Menu:
|
| Start-Up Time | Approx. 0.4 sec.
|
Physical Specifications |
|
| Dimensions | Approx. 5.45 x 3.87 x 3.48 in. / 138.4 x 98.4 x 88.4mm Based on CIPA standards. |
| Weight | Approx. 1.5 lbs. / 670g (including battery, SD memory card; without body cap) Approx. 1.3 lbs. / 588g (body only; without battery, card or body cap) |
Operating Environment |
|
| Working Temperature Range | 32–104°F / 0–40°C |
| Working Humidity Range | 85% or less |