- Webcode: 453252 • Mfr: ULTMKEY12/A/HDM
- FREE SHIPPING Available
Product Highlights
- Ultimatte 12 HD Mini Keyer
- 2x SDI Video Inputs / Outputs
- 2x HDMI / HDMI Video Inputs / Outputs
- HDMI / 3G-SDI Composite Outputs
- HDMI / SDI / Ethernet / USB-C 3.0 Connection
- USB-C 3.0 Interface
- 2.2" Colour Display
- 100-240 VAC Power
- Mac / Windows OS
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Blackmagic Design Ultimatte 12 HD Mini Compositing Processor
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Overview
Ultimatte 12 HD Mini Compositing Processor
Ultimatte 12 HD Mini is an advanced real time keyer designed for creating next generation virtual sets and more with consumer cameras. The HDMI connections are perfect for use with Blackmagic Studio Cameras, Pocket Cinema Cameras and ATEM Mini live production switchers. Plus there’s a massive 6 GB frame store for realistic fixed camera virtual sets from pre rendered still frames. Ultimatte 12 HD Mini features broadcast quality algorithms and color science to deliver photorealistic composites.
The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and color science that deliver true photorealistic composites. You get incredible edge handling, greater color separation, amazing color fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows! Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support! Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time.
Generate Live Virtual Environments for Broadcast
Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene! Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind! Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting.
Create Realistic Fixed Camera Virtual Sets
Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras.
New Algorithms and Expanded Colour Space
All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal color space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colors in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image! You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colors or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity.
Use Multiple Ultimatte Units on a Single Monitor
All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras.
Control HDMI Cameras from SDI Switchers
The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera color corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini.
Includes Free Ultimatte Software Control
All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload.
Reviews
Product Specifications
Ultimatte 12 HD Mini Compositing Processor |
|
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Connections |
|
SDI Video Inputs | 2 |
SDI Video Outputs | 2 |
HDMI Video Inputs | 2 |
HDMI Video Outputs | 1 |
Video Input Re-Sync | On all inputs |
SDI Rates | 270Mb, 1.5G, 3G |
Ethernet | Up to 1Gb/s for device control and loading stills into Media Pool |
Computer Interface | 1 x USB-C 3.0 for device configuration and software updates |
Standards |
|
SD Video Standards | 525i59.94 NTSC, 625i50 PAL |
HD Video Standards | 720p50, 720p59.94, 720p60 1080i50, 1080i59.94, 1080i60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 |
SDI Compliance | SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B. |
Video Sampling | 4:2:2 |
Colour Precision | 10-bit |
Colour Space | REC 601, REC 709. |
Multiple Rate Support | Auto detection of SD and HD |
Composite Sources |
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Foreground | 1 x HDMI In |
Background | 1 x HDMI In Still from Media Pool |
Background Matte | Internal Window Still from Media Pool |
Garbage Matte | Internal Window Still from Media Pool |
Holdout Matte | Internal Window Still from Media Pool |
Layer | Still from Media Pool |
Layer Matte | Internal Window Still from Media Pool |
Composite Outputs |
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Program | HDMI / 3G-SDI |
Monitor |
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Monitor In | 1 x 3G-SDI for monitor cascade |
Monitor Out | 1 x 3G-SDI For monitoring Program, Foreground Input, Background Input, Combined Matte, Internal Matte, Fill Out, Layer Input, Background Matte Input, Garbage Matte Input, Holdout Matte Input, Layer Matte Input, Processed Layer Matte, Processed Holdout Matte, Processed Garbage Matte, Processed Background Matte, Screen Correction. |
Media Pool |
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Background Still Image Formats | TGA, TIFF, BMP, PNG, JPG. |
Background with Alpha Still Image Formats | TGA, TIFF, BMP. |
Layer Image Still Image Formats | TGA, TIFF, BMP, PNG, JPG |
Layer with Alpha Still Image Formats | TGA, TIFF, BMP. |
Garbage Matte Still Image Formats | TIFF, BMP, PNG, JPG. |
Holdout Matte Still Image Formats | TIFF, BMP, PNG, JPG. |
Media Pool Memory | 6GB non-volatile internal storage. |
Displays | Built in 2.2 inch color display for device name, video preview, video standard audio meters, status and menus. |
Control |
|
Front Panel | 2.2 inch color display, 3 preset buttons, 3 menu buttons and spin knob. |
Control Connection | Network or direct Ethernet connection to a computer running Ultimatte Software Control or Ultimatte Smart Remote 4. |
Software Control | Ultimatte Software Control supported on Mac or Windows computers. |
Hardware Control Panel | Ultimatte Smart Remote 4 |
Camera Control | Blackmagic camera control and tally supported when used with compatible cameras and ATEM switchers. |
Custom Control | Ethernet protocol included in the Ultimatte instruction manual. |
Software |
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Software Updates | Using USB‑C or Ethernet connection to Mac or Windows computers. |
Configuration | Ultimatte IP address is set via the front panel or Ultimatte setup utility connected via USB. |
Operating Systems | Mac 11.0 Big Sur, Mac 12.0 Monterey or later. Windows 10, 64-bit. Windows 11. |
Power Requirements |
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Power Supply | Internal 100-240V AC, 50/60 Hz |
Power Usage | 12 W |
Physical Specifications |
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Weight | 760 g (26.8 oz) |
Dimensions | 14 x 17.7 x 4.4 cm (5.5 x 6.9 x 1.7") |
Environmental Specifications |
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Operating Temperature | 0° to 40°C (32° to 104°F) |
Storage Temperature | -20° to 60°C (-4° to 140°F) |
Relative Humidity | 0% to 90% non-condensing. |
Questions & Answers
Blackmagic Design Ultimatte 12 HD Mini Compositing Processor
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