- Webcode: 471319 • Mfr: CINEURSAMUPRO46KG2
Used Details
- Item Condition: Clean Body. Audio Channel Knob Cover Missing.
- Warranty: 90 day Vistek warranty.
- Accessories: Adapter, Controller Handgrip, Body Cap. No Box.
Refer to Used Details above.
Product Highlights
- Super 35mm 4.6K Cinematic Sensor
- 4.6K (4608x2592) Resolution
- 120 fps @ 4.6K/150 fps @4K DCI/150 fps @UHD/300 fps @1080HD 2K DCI Blackmagic RAW
- Advanced 12G-SDI Output
- Includes DaVinci Resolve Studio
Blackmagic Design URSA Mini Pro 4.6K G2 Digital Camera (Body Only)
Blackmagic Design URSA Mini Pro 4.6K G2 Digita...- Available in Toronto
- Toronto In Stock
Overview
* Lens pictured not included.
URSA Mini Pro 4.6K G2
Next generation URSA Mini Pro with Super 35 4.6K HDR image sensor, 15 stops of dynamic range and high frame rate shooting up to 300 fps.
Compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps. Features broadcast controls, ND filters, interchangeable lens mount, dual CFast and UHS-II SD card recorders, USB-C expansion port and more.
Professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera.
The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more.
Digital Film Quality for Every Project
The perfect camera for digital film, broadcast, live production and more.
URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide color gamut and Blackmagic Design Generation 4 color science give you incredibly accurate skin tones andstunning, lifelike color so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you’re on set, onlocation or shooting run and gun, URSA Mini Pro has theimage quality and features you need to work on any type of project.
Revolutionary URSA Design
Big camera features that are fast to use in a lightweight, portable design.
URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There’s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder.
Built in ND Filters
High quality neutral density filters with IR compensation.
URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colorimetry and color science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.
Familiar Broadcast Control
Quickly change settings without taking the camera off your shoulder.
Like the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.
Optional URSA Handgrip (available here)
The optional side hand controller for URSA Mini Pro with record start/stop, iris and focus buttons built in. Standard rosette and LANC for attaching to the side of the camera or relocating it to the front of the camera with the URSA Mini Shoulder Kit.
Reviews
Product Specifications
URSA Mini Pro 4.6K G2 |
|
|---|---|
Camera |
|
| Effective Sensor Size | 25.34 x 14.25mm (Super35) |
| Lens Mount | EF mount included. Interchangeable with optional PL, B4 and F lens mounts. |
| Lens Control | Electronic control via EF mount pins or 12pin broadcast connector for compatible lenses |
| Dynamic Range | 15 Stops. |
| Shooting Resolutions | 4608 x 2592, 4608 x 1920 (4.6K 2.40:1), 4096 x 2304 (4K 16:9), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 2048 x 1080 (2K DCI), 1920 x 1080 |
| Frame Rates | Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. |
| High Speed Frame Rates | Blackmagic RAW 8:1 4.6K Full - Up to 120 fps UHD Windowed - Up to 150 fps HD Windowed - Up to 300 fps ProRes 422 HQ 4.6K Full - Up to 80 fps UHD Windowed - Up to 120 fps HD Windowed - Up to 240 fps |
| Built in ND Filters | Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters. |
| Focus | Focus button turns on peaking, auto focus available using compatible lenses. |
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
| Screen Dimensions | 4 inch |
| Screen Type | LCD capacitive touchscreen. |
| Metadata Support | Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |
| Controls | Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys. |
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
Connections |
|
| Total Video Inputs | 1 x SDI |
| Total Video Outputs | 1 x SDI, 1 x SDI Monitoring. |
| SDI Rates | 1.5G, 3G, 6G, 12G. |
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
| Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
| Reference Inputs | Tri-Sync/Black Burst/Timecode. |
| Remote Control | 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
| Computer Interface | USB Type-C 3.1 Gen 1 for external drive recording and software updates. |
Audio |
|
| Microphone | Integrated stereo microphone. |
| Built in Speaker | 1 x mono speaker. |
Standards |
|
| SD Video Standards | None. |
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
| SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
| SDI Audio Sampling | 48 kHz and 24 bit |
Media |
|
| Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes recording. |
| Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
Supported Codecs |
|
| Codecs | Blackmagic RAW Constant Bitrate 5:1, Blackmagic RAW Constant Bitrate 8:1, Blackmagic RAW Constant Bitrate 12:1, Blackmagic RAW Constant Quality Q0, Blackmagic RAW Constant Quality Q5, Apple ProRes XQ QuickTime, Apple ProRes 444 QuickTime, Apple ProRes 422 HQ QuickTime, Apple ProRes 422 QuickTime, Apple ProRes 422 HQ QuickTime, Apple ProRes 422 LT QuickTime and Apple ProRes 422 Proxy QuickTime. |
Control |
|
| External Control | Blackmagic SDI Control Protocol, iPad control, Bluetooth control, 2 x 2.5mm LANC for lens and record control. |
Color Corrector |
|
| Color Corrector | DaVinci YRGB. |
Talkback and Tally |
|
| Talkback | SDI Channels 15/16 and iPhone headset. |
| Live Tally Indicator | Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder. |
Storage Features |
|
| Storage Type | 2 x CFast 2.0 2 x SD UHS-II cards 1 x high speed USB-C expansion port for external media. |
| Storage Rates | Storage rates based on 30 frames per second. 4608 x 2592 Blackmagic RAW 5:1 - 110 MB/s Blackmagic RAW 8:1 - 68 MB/s Blackmagic RAW 12:1 - 46 MB/s Blackmagic RAW Q0 - 110 to 274 MB/s * Blackmagic RAW Q5 - 27 to 78 MB/s ** Apple ProRes XQ - 360 MB/s Apple ProRes 444 - 238 MB/s Apple ProRes HQ - 158 MB/s Apple ProRes 422 - 106 MB/s Apple ProRes LT - 73.5 MB/s Apple ProRes Proxy - 32.3 MB/s 3840 x 2160 Blackmagic RAW 3:1 - 127 MB/s Blackmagic RAW 5:1 - 76 MB/s Blackmagic RAW 8:1 - 48 MB/s Blackmagic RAW 12:1 - 32 MB/s Blackmagic RAW Q0 - 76 to 191 MB/s * Blackmagic RAW Q5 - 19 to 55 MB/s ** Apple ProRes XQ - 250 MB/s Apple ProRes 444 - 165 MB/s Apple ProRes HQ - 110 MB/s Apple ProRes 422 - 73.6 MB/s Apple ProRes LT - 51 MB/s Apple ProRes Proxy - 22.4 MB/s 1920 x 1080 Blackmagic RAW 3:1 - 33 MB/s Blackmagic RAW 5:1 - 20 MB/s Blackmagic RAW 8:1 - 12 MB/s Blackmagic RAW 12:1 - 8 MB/s Blackmagic RAW Q0 - 20 to 49 MB/s * Blackmagic RAW Q5 - 5 to 14 MB/s ** Apple ProRes XQ - 62.5 MB/s Apple ProRes 444 - 41.25 MB/s Apple ProRes HQ - 27.5 MB/s Apple ProRes 422 - 18.4 MB/s Apple ProRes LT - 12.75 MB/s Apple ProRes Proxy - 5.6 MB/s |
| Recording Formats | Blackmagic RAW Q0, Q5, 3:1, 5:1, 8:1 and 12:1 at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with film, extended video or video dynamic range. ProRes at 4608 x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 with film, extended video or video dynamic range. |
Software |
|
| Software Included | URSA Mini Operating System DaVinci Resolve Studio for Mac and Windows including activation key Blackmagic Camera Setup Blackmagic RAW Player Blackmagic RAW QuickLook Plugin Blackmagic RAW SDK |
Operating Systems |
|
| Mac | Mac 10.13 High Sierra, Mac 10.14 Mojave or later. |
| Windows | Windows 8.1 or Windows 10. |
Power Requirements |
|
| Power Supply | 1 x External 12V power supply. 12 pin Molex connector for rear battery plate. |
| External Power Input | 1 x 4 pin XLR port for external power or battery use. 1 x 12 pin molex connector on rear battery plate. Custom V-mount battery plate with D-tap +12V regulated output from camera. |
| Power | Rear camera mount compatible with industry standard V-mount or gold mount battery plates. |
Environmental |
|
| Operating Temperature | 0° to 40°C (32° to 104°F) |
| Storage Temperature | -20° to 45°C (-4° to 113°F) |
| Relative Humidity | 0% to 90% non-condensing |
Physical Specs |
|
| Dimensions (LxWxH) | 209 x 202 x 146.8 mm (8.2 x 8 x 5.8") |
| Weight | 2.31 kg (5.1 lbs) |
Questions & Answers
Blackmagic Design URSA Mini Pro 4.6K G2 Digital Camera (Body Only)
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