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Product Highlights
  • 61MP BSI Bayer CMOS Sensor
  • Full-Frame Format
  • 10 fps Continuous Shooting
  • ISO 100-25600 Expandable to 102400
  • 4K UHD (3840×2160) at 30p Video Recording
  • 49-Point AF System
  • Electronic IS Image Stabilization
  • Touchscreen
  • Dustproof & Splashproof
  • 113 x 70 x 45 mm (4.4 x 2.8 x 1.8") Dimensions
  • 375 g (13.2 oz.) Weight
Kit Options:
fp L Camera
fp L Camera & EVF-11
Sigma fp L Mirrorless Body Sigma fp L Mirrorless Body
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Overview

fp L
A big canvas for big moments

  • 35 mm full-frame Back-illuminated Bayer sensor
  • Approx.61 effective megapixels
  • Hybrid Autofocus
  • Contrast detection autofocus + Phase detection autofocus
  • Supports USB power supply

A still camera for stunning pictures

35mm full size effective approx. 61 megapixels Bayer sensor | New to the fp L

Image quality and creative range that is only possible with a full-frame camera. The fp L boasts outstanding resolving power thanks to its image sensor with approximately 61 effective megapixels. It also features an excellent cropped zoom that capitalizes on its ample megapixels.

15 Colour Modes to choose from

SIGMA's ample choice of colour modes will bring a greater range and freedom to your photography.

  • Teal and Orange

    A colour mode inspired by colour grading used in filmmaking. This is about creating high contrast between orange colours, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic.
     

  • Powder Blue

    It is a colour mode with a bright and clear feel, featuring a refreshing blue colour.
     

  • Duotone

    Duotone turns the colours of an image into a striking two-colour gradient. It gives stills and videos a highly graphical look.

Save / Load Settings

With the fp L, you can now save a custom camera setting. Saved settings can be kept as QR code image data, so you can load many patterns of settings very quickly. This allows for a new, fun way for users to share custom settings they recommend with one another by exchanging QR codes with other users or sharing them on social media.

Smooth autofocus

The fp employs high-precision contrast AF, ensuring smooth autofocus when shooting.
In addition to the contrast AF, the fp L features fast image area phase-detection AF. This hybrid AF allows users to enjoy fast autofocus with excellent tracking.
Both the fp and fp L feature face/eye priority AF, which makes portrait shooting extremely smooth.

External Electronic Viewfinder

An external electronic viewfinder(optional) designed exclusively for use with the SIGMA fp series. With its 0.5 inch, 3.68 M dots OLED panel, this high-resolution, high-luminance viewfinder will make you feel immersed in your photography experience more thoroughly than ever.

Cinema camera as a powerhouse in a shoot

Supports 3 RAW file formats

The SIGMA fp series supports CinemaDNG external recording, as well as Blackmagic RAW and ProRes RAW output to external screen recorder over HDMI. So you can choose a RAW file format according to your project workflow.

Supports camera control with a gimbal

With cooperation of a gimbal manufacturer, the fp series supports camera control with a gimbal. The excellent mobility of a compact camera system that takes advantage of a small and lightweight SIGMA fp camera will be perfect for gimbal shooting in a variety of settings.

Hybrid Autofocus | New to the fp L

In addition to high-precision contrast AF, the SIGMA fp L features fast image area phase-detection AF. It has high focus tracking to the subject and is useful for focusing in situations where manual focus is difficult, such as recording using a gimbal or one-operation recording.

Supports different frame rates

Supports different frame rates that are commonly used in filmmaking. The addition of true 24p, will further expand the range of projects you can cover with the fp series. Combined with DCI 4K recording with external output, it can be optimized to digital cinema formats.

Save / Load Settings

The SIGMA fp L has a feature to allow you to save custom camera settings. Saved settings can be kept as QR code image data, which can load instantly in a shoot. As anyone can load the same setting instantly by sharing the QR code, it will be useful for sharing camera settings in a shoot where multiple photographers are at work.

Webcam | Make your communication more engaging than ever.

Turn the SIGMA fp into a webcam with just a USB-C cable

The SIGMA fp series supports the USB video device class. Simply connect your camera to PC via USB and it sends audio and video to the PC, and works as a webcam. It will bring a stunning, full-frame image quality to online communication.

Power supply | New to the fp L

The fp L supports charging while the camera is on. When using it as a webcam, just connect the fp L using a USB-C cable and it works as an audio and video input device while getting its power supply from the PC. You can join an online meeting or stream video for as long as you want.

Hybrid Autofocus | New to the fp L

The fp L employs both high-precision contrast AF and fast image area phase-detection AF. It tracks the subject smoothly and keeps them in focus even when streaming video online.

Save / Load Settings

The SIGMA fp series comes with a feature that allows users to save a custom camera setting as QR code image data. If you have your choice of webcam setting ready in the form of QR code, you can load it very quickly when you need to use it at a meeting or a streaming event.

Change camera settings even when connected

You can change the settings for exposure compensation, shutter speed, ISO sensitivity, Colour Mode, and white balance even while using the camera as a webcam.

15 Colour Modes to choose from

The fp series has a set of 15 colour modes specially created for it. Create a look for online meetings and live streaming the way you like it.

Director's viewfinder | Essential item for every film director

The SIGMA fp series features a director's viewfinder to simulate shooting ranges of cinema cameras by different manufacturers.

Cinema cameras supported

  • [ARRI] ARRICAM / ARRIFLEX, ALEXA LF/ ALEXA Mini LF, ALEXA SXT, Alexa Mini, AMIRA, ALEXA65, ALEXA XT
  • [SONY] VENICE
  • [RED] MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, KOMODO 6K

Frame guide: Supports custom frame lines

When shooting with different aspect ratios in mind, you can use a frame guide that's useful when you decide the composition. The fp series now supports custom frame lines, where you can add a given aspect ratio or absolute pixel dimensions. It will prove useful in filmmaking where it may be necessary to cover different formats from movie, television, smartphone, etc.

Selection of external viewfinders

You have a choice of two viewfinders for the fp series: the EVF-11, a high-definition and small-sized electronic viewfinder with an organic EL panel, or the LVF-11, an optical LCD viewfinder that allows you to see the view in a large LCD screen to check how it looks on the optical axis.

Screenshot

You can make a screenshot of any screen display on fp series cameras, including live view and menus. You can keep a record of the shooting situations and the camera setting in a single image.

Save / Load Settings

You can batch save complicated settings such as director's viewfinder and frame guide using a QR code. By storing QR codes, you can load one you need for a particular project instantly.

What's Included

fp L Mirrorless Digital Camera Body
BP-51 Lithium-Ion Battery Pack (7.2V, 1200mAh)
fp Camera Strap
2x Strap Holders
HU-11 Hot Shoe Unit
LCT II-TL Body Cap
UAC-21 USB AC Adapter
SUC-41 USB Cable

Reviews

Product Specifications

fp L

Format

 
Type Interchangeable-lens Mirrorless Type Digital Camera
Memory Media SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported)
Lens Mount L-Mount

Image Sensor

 
Type 35 mm full-frame (36.0 mm x 24.0 mm) Back-illuminated Bayer CMOS sensor
Camera Effective Pixels / Total Pixels Approx. 61 MP / Approx. 62.4 MP
Aspect Ratio 3:2
Colour Filter System RGB Primary colour filter
Still Image File Format Lossless compression RAW(DNG) data 12 bit,14 bit / JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible
Image Aspect Ratio [21:9] / [16:9] / [3:2] / [A Size (√2:1) ] / [4:3] / [7:6] / [1:1]

File Size

 
File Size RAW

9.5K:9,520 x 6,328
6.2K:6,240 x 4,144
4.8K:4,768 x 3,168
UHD:3,840 x 2,552
FHD:1,920 x 1,280

JPEG
 
[21:9]
9.5K:9,520 x 4,080
6.2K:6,240 x 2,672
4.8K:4,768 x 2,040
UHD:3,840 x 1,648
FHD:1,920 x 824

[16:9]
9.5K:9,520 x 5,352
6.2K:6,240 x 3,512
4.8K:4,768 x 2,680
UHD:3,840 x 2,160
FHD:1,920 x 1,080

[3:2]
9.5K:9,520 x 6,328
6.2K:6,240 x 4,144
4.8K:4,768 x 3,168
UHD:3,840 x 2,552
FHD:1,920 x 1,280

[A Size (√2:1) ]
9.5K:8,944 x 6,328
6.2K:5,856 x 4,144
4.8K:4,480 x 3,168
UHD:3,616 x 2,552
FHD:1,808 x 1,280

[4:3]
9.5K:8,432 x 6,328
6.2K:5,520 x 4,144
4.8K:4,224 x 3,168
UHD:3,408 x 2,552
FHD:1,696 x 1,280

[7:6]
9.5K:7,856 x 6,328
6.2K:5,152 x 4,144
4.8K:3,920 x 3,168
UHD:3,168 x 2,552
FHD:1,584 x 1,280

[1:1]
9.5K:6,328 x 6,328
6.2K:4,144 x 4,144
4.8K:3,168 x 3,168
UHD:2,552 x 2,552
FHD:1,280 x 1,280

Crop

 
Crop Equivalent to approx.1.5 to 5 times the focal length of the lens (for 35 mm cameras)

Colour Space

 
Colour Space Colour Space
sRGB, Adobe RGB

Movie Recording Format

 
Camera Internal Record Movie Format
CinemaDNG(8 bit, 10 bit, 12 bit)/ MOV:H.264 (ALL-I, GOP)

Audio Format
Linear PCM (2 ch 48 kHz / 16 bit)

Record Format / Frame rate
3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p*, 119.88 p*

Continuous Shooting Enable Time
Up to 2 hours

Cinema DNG Memory Media Limitation
SD Card (UHS-II) : UHD 8 bit 25 p or less, FHD 12 bit 59.94 p or less
Portable SSD : UHD 12 bit 29.97 p or less, FHD 12 bit 100 p or less, FHD 8 bit 119.88 p or less
HDMI External Output Movie Format
4:2:2 8 bit
12 bit RAW :External recorder record : ATOMOS Ninja V, Blackmagic Video Assist 12G supported

Audio Format
Linear PCM (2 ch 48 kHz/16 bit)

Record Format / Frame Rate
4,096 x 2,160 (DCI 4K) / 24 p * Only for RAW output
3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p*, 119.88 p* 

Focus

 
AF System / Focus Mode Image plane phase-difference AF + Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus
AF Sensitivity Range / AF Mode -5 to 18 EV (F1.4:ISO 100) / Auto, 49-point selection mode, Free Move mode, Face/Eye Detection AF mode, Tracking AF mode
AF Lock Half-press the shutter button, or press the AEL button (setting change required)
Other Focus Functions AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification

Exposure Control

 
Metering System Evaluative, Spot, Center Weighted Average
Metering Range -5 to 18 EV (50 mm F1.4:ISO 100)
(P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual (P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual
Movie Shooting Mode
 
(P) Program AE, (S) Shutter Angle Priority AE, (A) Aperture Priority AE, (M) Manual
Movie Shooting Mode
 
(P) Program AE, (S) Shutter Angle Priority AE, (A) Aperture Priority AE, (M) Manual
ISO Sensitivity
(Recommended exposure value)
Base ISO
[Still]
ISO 100,400
[Cine]
CinemaDNG 12 bit / HDMI RAW:ISO 100, 1250
MOV / CinemaDNG 10 bit, 8 bit, HDMI 4:2:2 8 bit:ISO 100, 250

Settable Range
ISO 100-25600 / Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400
Exposure Compensation
 
±5 EV (in 1/3 stop increments) : ±3 EV at movie recording
Exposure Compensation
 
±5 EV (in 1/3 stop increments) : ±3 EV at movie recording
AE Lock
 
Half-press the shutter button, or press the AEL button (setting change required)
AE Lock
 
Half-press the shutter button, or press the AEL button (setting change required)
Exposure Bracket
 
3 shots / 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)
Exposure Bracket
 
3 shots / 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)

Image Stabilization System

 
Image Stabilization System Electronic Image Stabilization (EIS)

White Balance

 
12 types (Auto, Auto [Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Colour Temperature [50K steps], Custom 1, Custom 2, Custom 3)

Shutter

 
Shutter Type Electronic shutter
Shutter Speed 30 to 1/8,000 sec., Bulb up to 300 sec.
Self Timer 2 sec. / 10 sec.

Drive

 
Drive Modes Single Capture, Continuous, Self Timer (2sec. / 10sec.), Interval Timer
Continuous Drive Speed

High Speed: Approx. 10 shots/ sec.
Medium Speed: Approx. 5 shots/ sec.
Low Speed: Approx. 3 shots/ sec.

Number of Recordable Frames DNG+J (14 bit) / 9.5K:12 frames, 6.2K:12 frames, 4.8K or less:12 frames
DNG+J (12 bit) , DNG (14 bit/12 bit) / 9.5K:12 frames, 6.2K:28 frames, 4.8K or less:50 frames
JPEG / 9.5K:14 frames, 6.2K:35 frames, 4.8K or less:57 frames

Monitor

 
Type / Coverage TFT colour LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100%

Flash

 
Built-in Flash
Flash Mode S-TTL automatic light control, Manual, Wireless flash, Multi-emission
Optional Functions Red-eye Reduction / Slow Synchronization, Rear Curtain Synchronization
Flash Exposure Compensation Max. ±3 EV in 1/3EV step increments
Flash Sync. Speed Max. 1/15 sec.

*1/10 sec. or less at 14 bit RAW
External Flash Support Available when the HOT SHOE UNIT HU-11 (supplied with this product) is mounted. * S-TTL, Wireless support, X-sync.

Colour Mode

 
15 types (Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal and Orange, Sunset Red, Forest Green, Powder Blue, FOV Classic Blue, FOV Classic Yellow, Duotone, Monochrome, Off)

Director’s Viewfinder

 
Supported cameras ARRI
ARRICAM / ARRIFLEX, ALEXA LF/ ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT

SONY
VENICE

RED
MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, KOMODO 6K
Frame Guide 1.33:1, 1.85:1, 2.39:1, Custom 1, Custom 2
Custom Frame Input (Sensor Area / Aspect Ratio) , Offset, Style (4 styles) , Line (1 to 10 px) , Colour (White, Black, Red, Yellow, Green, Cyan, Blue, Magenta) , Shading

Other

 
Other Functions Save / Load Settings via QR code, Screenshot, Webcam, In-camera RAW development, Still image capture from recorded movie files, Cinemagraph, Fill Light, HDR shooting (Still / Cine) , Still image shooting during movie shooting

Built-in Microphone / Speaker

 
Built-in Microphone / Speaker Stereo microphone, Monaural speaker

Display Language

 
Display Language English / Japanese / German / French / Spanish / Italian / Simplified Chinese / Traditional Chinese / Korean / Russian / Dutch / Polish / Portuguese / Danish / Swedish / Norwegian / Finnish

Interface

 
Interface USB Terminal
USB3.1 GEN1 Type-C (supports Mass Stroage, Video Class(UVC), Camera Control)

HDMI Terminal
Type D(Ver.1.4)

Remote
Also used as an external microphone terminal

Timecode Input
Also used as an external microphone terminal

External Microphone Terminal
Φ3.5 mm stereo mini jack (Plug-in power support)

Headphone Output Terminal
Φ3.5 mm stereo mini jack (can be connected when using the dedicated ELECTRONIC VIEWFINDER EVF-11)

Flash-synchro Terminal
Dedicated terminal (with HOT SHOE UNIT HU-11 (supplied with this product) mounted)

Power

 
Power Li-ion Battery Pack BP-51

* Internal battery charge via USB terminal available.
* USB power supply available.
Number of Recordable Still Images Approx. 240 images
Minutes of Recordable Continuous Shooting Approx. 60 min.

Physical Specs

 
Dust and Splash Proof Structure Provided
Operating Temperature 0 – +40 °C (32 – 104 °F)
Operating Humidity 85 % or less (non-condensing)
Dimensions (W x H x D) 112.6 x 69.9 x 45.3 mm (4.4 x 2.8 x 1.8")
Weight 375 g (13.2 oz.)
* Camera body only

427 g (15.1 oz.)
*including battery and SD card)

Questions & Answers

Sigma fp L Mirrorless Body

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