- Webcode: 456927 • Mfr: SWATEMTVSTC/HD08ISO
Product Highlights
- ATEM Television Studio HD8 ISO Switcher
- 2x XLR / 2x RCA / BNC / 5-Pin XLR Audio Inputs
- 8 Video Inputs
- 12 / 2 Video / Aux Outputs
- 4 / 2 Upstream / Downstream Keyers
- 2x USB-C Interface
- 100-240 VAC Power Supply
- 100 W Max. Power Usage
- Mac / Windows 10/11 OS
Option:
Blackmagic Design ATEM Television Studio HD8 ISO
Blackmagic Design ATEM Television Studio HD8 ISO- Toronto Special Order
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Overview
ATEM Television Studio | HD8 ISO
ATEM Television Studio HD8 ISO includes all the features of ATEM Television Studio HD8 plus adds ISO recording of all 8 inputs to separate video files. Also supports up to 8 remote cameras via local Ethernet or globally via the internet. Remote cameras even support tally and camera control.
Edit a Live Production
The ATEM Television Studio HD ISO model has been designed to integrate into DaVinci Resolve so you can spend time making your program absolutely perfect. A DaVinci Resolve project is saved along with separate files for each video input, so the live event can be reconstructed as an edit timeline. Often live production is chaotic and unpredictable, but now you can fix any bad edits or replace a shot. You can spend as much time as you need. You can also use skilled colorists, audio engineers and graphic designers to help make your show better. With a combination of ATEM Television Studio HD ISO and DaVinci Resolve, it's easy to make quick changes or major creative enhancements to your show.
Single Click DaVinci Resolve Edit Timeline
When recording ISO files, you also get a DaVinci Resolve project file with your live production as an edit timeline. This means with a single click, you can open your live event and see it transformed into an edit with all cuts, transitions and media on the timeline. With all the timeline clips linked back to the input "ISO" recordings, you have complete freedom to change edits and replace shots. You also get total freedom to use the editing, color correction and visual effects tools built into DaVinci Resolve. Now live production won't be so unpredictable. Plus it's very fast as it only takes seconds to open the project, adjust a few edits and then render out a new perfect master file.
Quickly Trim Edits
Trimming edits in DaVinci Resolve is incredibly easy because the trim tools are automatically selected depending on where you position the mouse on the timeline’s edit points. Click and drag to the right of the edit to trim the in point of the destination clip. Then click and drag to the left of the edit to trim the out point. Or click the mouse in the middle of the edit to roll the edit. You can also slice clips and delete what you don't need. Plus it’s fast to add a massive number of creative DaVinci transitions. Such as the smooth cut transition which uses an AI algorithm to remove jump cuts. That lets you cut out presenter mistakes while keeping the action smooth and the edits invisible.
Improve Edit Flow
Live production can be chaotic so it means it can be hard for the person switching to keep up with the fast moving action. Or sometimes you can even miss important shots. A good example is a live interview where guests are debating and it can be difficult to keep up with the person speaking. This means if you cut to a person after they start speaking, with editing it's easy to roll the edit points back in time. You can roll each edit point slightly back, allowing the camera to cut to a speaker just before they start to talk. This means you can make debates flow much more smoothly. Trimming on a DaVinci Resolve Speed Editor keyboard is even faster because you can trim with the search dial.
Browse and Add Interesting Shots
Adding cutaways to your edit is easy because you have recordings from all the switcher inputs. Select source tape in the cut page to see all your clips loaded sequentially into the viewer so you can scroll to browse all your shots visually. When you see a cutaway shot you like, then use source overwrite to use it. Simply select source overwrite and the clip in the viewer will be added to the timeline automatically in the right sync location. You don't need in and out points on the timeline because source overwrite will edit the clips automatically using a timecode match. That means you can just scroll along your media and add multiple cutaways whenever you see a nice shot.
Perfect for DaVinci Resolve Sync Bin
DaVinci Resolve's cut page has a unique scrolling style of multi-cam called the sync bin. It works by automatically showing only the clips that have matching timecode to the clip that’s in the current timeline location. Its like having an assistant to help find matching shots for you. Because all the ATEM ISO clips have matching timecode, DaVinci Resolve sync bin will take care of keeping all shots scrolling together in perfect sync. Clips are displayed in a multiview so you can select the shot you want by clicking on its view. It will even add an in and out point automatically. Then you just use source overwrite to add the shot into the timeline. Sync bin works just like a switcher.
Includes ATEM Media Pool Images
When ISO recording, the media pool graphics are also saved so your titles and stills are included in the edit when the timeline is opened. Only titles used in your live production will be saved, and they will be placed on layer 2 of the timeline if they're keyed titles, or layer one if media pool graphics were used as a video source. This means you can change or localize titles because they aren't rendered into the edit. You might even spend some time to change still graphics to more exciting motion titles. Even older projects could be updated with newer graphic design so you can renew your older work to make it look more modern. Or you can add stunning 3D titles using Fusion.
Relink to Blackmagic RAW Camera Files
If you're using Blackmagic Studio Camera Pro or Blackmagic URSA Broadcast, you can record Blackmagic RAW in camera and these files can also be made to sync because you can connect SDI back to the cameras to ensure the camera timecode matches the switcher. This means you can add Blackmagic RAW files to the DaVinci Resolve project for much higher quality than the H.264 ISO files the switcher records. Blackmagic RAW files use film gamma that have much more range than video files so you can add cinematic color correction. This is a true feature film workflow. Plus, because the files are 4K or 6K, you can change the DaVinci Resolve project to Ultra HD and get an Ultra HD edit from an HD switcher.
Create Ultra HD Programs with Blackmagic RAW
Blackmagic RAW files are stunning quality so they allow a whole new world of creativity. It means you can stream in HD, but deliver work in Ultra HD. Blackmagic Studio 4K and 6K Pro cameras feature high resolution sensors and amazing low light performance. This means the Blackmagic RAW files will capture the greater range from the sensor for color grading, plus the extra resolution allows full resolution RGB. You can even reframe and zoom shots and you won't lose image quality because the files have extra resolution. You also get better antialiasing for much better handing of subtle fine image detail. Imagine delivering color graded Ultra HD masters even when the live stream was in HD.
Reviews
Product Specifications
ATEM Television Studio HD8 ISO |
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Connections |
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SDI Video Inputs | 8 |
SDI Aux Outputs | 2 |
SDI Video Outputs | 12 |
SDI Program Outputs | 1 |
SDI Rates | 1.5G, 3G |
Webcam Output | 2 x USB-C supporting 720p or 1080p at PGM frame rate. |
HDMI Video Outputs | 1 |
Total Multi Views | 3G-SDI HDMI |
Total Audio Inputs | 2x XLR balanced analog audio, BNC 32 Ch MADI digital audio, 2x RCA stereo analog audio, 5 pin XLR Talkback. |
Remote | RJ12 supports RS-422 |
Total Audio Outputs | 4x 1/4 inch Jack analog audio, BNC 64 Ch MADI digital audio, up to 50 active, 5 pin XLR Talkback. |
Control Panel Connection | Ethernet. Direct connection between panel and chassis, or via network. |
SDI Audio Inputs | 4 Ch embedded audio on all SDI inputs. |
Internal Timecode Generator | Yes |
Talkback | RJ45 for 3rd party talkback systems. |
SDI Audio Outputs | 2 Ch embedded audio on all SDI outputs |
Tally Output | Added via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included). |
Timecode Connections | 1 x BNC In, 1 x BNC Out. |
Ethernet | 4 x RJ45 with internet network switch. Supports 10/100/1000 BASE-T. |
Reference Input | 1 x BNC In, 1 x BNC Out Tri-Sync or Black Burst |
Computer Interface | 2 x USB-C supports USB 2.0 for external drive recording, webcam out, software control, software updates and switcher connection. |
Video Input Re-Sync | On all 8 inputs |
Frame Rate and Format Converters | On all 8 inputs |
Standards |
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SD Video Standards | None |
Video Sampling | 4:2:2 |
HD Video Input Standards | 720p50, 720p59.94, 720p60 1080i50, 1080i59.94, 1080i60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 |
Colour Precision | 10-bit |
Colour Space | Rec 709 |
SDI Compliance | SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B. |
SDI Auto Switching | Automatically detects between 1.5G-SDI and level A or level B 3G-SDI. |
Product Specifics |
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Upstream Keyers | 4 |
Downstream Keyers | 2 |
Advanced Chroma Keyers | 4 |
SuperSource | 1 |
Linear/Luma Keyers | 7 |
Transition Keyer (Stinger/DVE) | 1 Stinger, 1 DVE |
Total Number of Layers | 8 |
Pattern Generators | 7 |
Color Generators | 2 |
Control Panel | Integrated panel with full control of switching and settings |
Routable Windows | 16 |
Windows Source Labels | Yes |
Tally | Red for program and green for preview indication |
Talkback Support | Yes |
Mix Minus Support | Yes |
Streaming Sources |
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Total StreamingSources | Up to 8 |
Streaming Source Format | RTMP video with audio over a local network or internet connection from compatible Blackmagic Design cameras outputting HyperDeck High, HyperDeck Medium, HyperDeck Low, Streaming High, Streaming Medium or Streaming Low quality setting. |
Streaming Source Setup | Mapped to inputs in ATEM Software Control Settings. |
Streaming |
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Direct Streaming | Supports direct live streaming using Real Time Messaging Protocol (RTMP) over ethernet or a shared internet connection over USB‑C. |
Recording |
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Direct Recording Video and Audio | USB-C expansion port can record directly to external media. |
Video Recording | Program recorded as a H.264 .mp4 file at the streaming quality setting and at the ATEM video standard with AAC audio. |
Audio Recording | Audio inputs recorded as separate 24‑bit 48KHz .wav files. Includes 8 x SDI 2 channel embedded audio inputs, 4 x analog audio inputs and up to 32 channels of MADI digital audio. |
Switching | Program switching recorded as a DaVinci Resolve project .drp file. |
Media | All media pool stills and clips saved to a separate media folder. |
Media Format | Supports media formatted ExFAT (Windows/Mac). APFS or HFS+ (Mac) |
Multi View Monitoring |
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Multi View Monitoring | 1 x multi view via SDI and HDMI configurable to 16, 13, 10, 7 or 4 up views. Includes monitoring of Program, Preview, Inputs, Media Players, DSKs, SuperSource, Clean Feed with optional labels and audio meters. |
Multi View Video Standard | HD |
Display Min. Resolution | 1366 x 768 |
Media Player |
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Media Players | 2 |
Channels | Fill and key for each media player. |
Media Pool Still Image Capacity | 20 |
Media Pool Still Image Format | PNG, TGA, BMP, GIF, JPEG and TIFF |
Media Pool Clip Capacity | 2 x up to 1080p60. |
Media Player Clip Length in 720 HD | 400 frames |
Media Player Clip Length in 1080 HD | 200 frames |
Media Pool Video File Format | TGA sequence |
Media Pool Audio File Format | WAV, MP3 and AIFF |
Processing |
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Processing Delay | < 10 lines when genlocked and in the same format as the switcher. |
Audio Mixer | 58 Channel mixer Selectable On/Off/Audio-Follow-Video Level and Peak metering Master gain control 6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter |
Camera Control | When used with most Blackmagic Design cameras, ATEM can control focus, iris and zoom of compatible lenses and camera settings including gain, white balance, tint, shutter, ND filter, color corrector, tally and record start/stop. |
Down Conversion | None |
Software |
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Control Panel Included | ATEM Software Control Panel included free for Mac 12.0 Monterey, Mac 13.0 Ventura or later. and Windows 10 or 11. |
Software Updates | Using USB or Ethernet connection directly connected to Mac OS or Windows computers. Includes ATEM Setup Utility. |
Operating Systems | Mac 12.0 Monterey, Mac 13.0 Ventura or later. Windows 10 & 11 |
Power Requirements |
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Power Supply | Internal 100 - 240 AC 50/60Hz with IEC C14 socket. 4 pin XLR 12V DC In for external power supply or battery use. |
Power Usage | 100 W max. |
Physical Specifications |
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Weight | 6.7 kg (14.9 lbs) |
Dimensions | 58.4 x 37.5 x 16 cm (23 x 14.8 x 6.3") |
Environmental Specifications |
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Operating Temperature | 0° to 40° C (32° to 104° F) |
Storage Temperature | -20° to 60° C (-4° to 140° F) |
Relative Humidity | 0% to 90% non-condensing |
Questions & Answers
Blackmagic Design ATEM Television Studio HD8 ISO
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