- Webcode: 466039 • Mfr: V210041BU000
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Product Highlights
- 20.4 MP BSI Live MOS Sensor
- Micro Four Thirds Format
- 25 fps Continuous Shooting
- ISO 80-102400 Sensitivity
- C4K (4096x2160) @30p Video Recording
- Vari-Angle Touchscreen
- Kit Includes OM-1 Mark II Camera & 12-40mm Lens
Kit Options:
OM System OM-1 Mark II Mirrorless Kit w/ M.Zuiko Digital ED 12-40mm f/2.8 PRO II Lens
OM System OM-1 Mark II Mirrorless Kit w/...- Toronto Special Order
- Ottawa Special Order
- Mississauga Special Order
- Calgary Special Order
- Edmonton Special Order
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Overview
OM-1 Mark II
Revealing Wonder. It's in Our Nature.
The OM-1 Mark II is all about blazing fast speeds, unparalleled computational cpaabilities and tactile usability with refinements throughout the camera
Crafted to withstand the most rugged outdoor conditions, the OM SYSTEM OM-1 Mark II boasts an IP53-class splash & dustproof design, coupled with a robust body built to withstand freezing temperatures down to -10°C. This flagship model integrates cutting-edge technology, featuring up to 8.5 steps of 5-axis in-body image stabilization, a 20 Megapixel stacked BSI Live MOS sensor, and the latest TruePic X image processor, symbolizing the birth of a new flagship model bearing the OM SYSTEM brand.
Experience expanded imaging capabilities beyond traditional sensor limitations with 50M Handheld High Res Shot (approx.) and 80M Tripod High Res Shot functions (approx.), minimizing noise for RAW shots while delivering exceptional clarity. The OM-1 Mark II's advanced AWB algorithm ensures precise colour reproduction, adapting seamlessly to diverse lighting conditions for accurate colour tones in every frame.
Key Features:
- World’s first Live GND shooting functionality
- Advanced AF Performance
- Enhanced AI Detection AF
- Blackout-free High Speed Sequential Shooting
- High-speed EVF
- IP53-class weather-sealed performance
- High-performance IS
- Weight: approx. 511g (body only)
The AI Detection AF, developed using deep learning technologies, recognizes a wide spectrum of subjects, including birds, animals, cars and more, now includes humans, enhancing autofocusing for exceptional clarity, even under the most challenging conditions.
Elevating high-speed shooting performance, the OM-1 Mark II's enhanced memory allows for an increased number of sequential shots. With Pro Capture, users can seize fleeting moments at up to 120 fps during AF/AE lock and approximately 50 fps during AF/AE tracking.
From improved grip surfaces to vertical video support, the OM-1 Mark II caters to user comfort and convenience. Additionally, it supports UVC/UAC connections to PCs for webcam use, catering to modern connectivity needs and an intuitive experience.
Complemented by accessories like the HLD-10 Power Battery Holder and the RM-WR1 Wireless Remote Control, this flagship model offers added functionality and convenience. The OM Workspace image editing software and OM Capture camera control software offer advanced editing features and seamless camera control, ensuring a comprehensive and refined photography experience.
High-quality images
Thanks to a stacked BSI Live MOS sensor and TruePic X image processor
The OM SYSTEM OM-1 Mark II integrates a cutting-edge 20 Megapixel Stacked BSI Live MOS sensor alongside the advanced TruePic X image processor. This dynamic duo, coupled with renowned high-resolution M.ZUIKO DIGITAL lenses, deliver the highest quality images ever produced by an OM SYSTEM camera. An enhanced AWB algorithm delivers vivid colour reproduction, even in challenging lighting conditions like mixed lighting, ensuring precise colour tones across a variety of light sources for stunning photographs.
Additionally, the OM-1 Mark II features powerful 5-axis in-body image stabilization, improving compensation up to 8.5 steps with the body alone, as well as 5-axis sync IS5, further broadening opportunities for hand-held shooting by allowing the user to capture steady shots while maintaining agility and mobility.
Additional Features:
- nhanced right-hand menu usability by assigning the trash barrel button as a menu shortcut, particularly beneficial when using a telephoto lens
- AF/AE tracking high-speed sequential shooting (SH2) settings now include options for 12.5 fps and 16.7 fps
- When shooting continuously at 25 fps or lower, the minimum shutter speed is set at 1/160 sec
- Improved finger grip on dial surfaces utilizing elastomer processesCompatibility with UVC (USB Video Class) / UAC (USB Audio Class), allowing seamless connection to a PC for use as a webcam
- Offers support for convenient vertical video capture, ideal for social media platforms and similar application
The first in the world to enable users to control half ND filter effects
While simultaneously reviewing GND steps and respective types
Introducing the world’s first Live GND (Graduated ND) shooting function, a groundbreaking technology that utilizes computational photography to replicate the effects of using a half ND, accurately controlling brightness and darkness within the image to create stunning output. Through Live GND shooting, users can seamlessly adjust filter steps (GND2, GND4, or GND8) and types (Soft, Medium, or Hard) in real-time through the EVF or rear LCD. This innovative approach allows for precise customization of the effect’s position and angle, empowering photographers to craft their envisioned images effortlessly. Without the need for physical filters attached to the lens, this feature enables photographers to leverage half ND effects, even with lenses lacking filter threads, significantly expanding creative expression in genres such as landscape photography. Elevating capabilities further, the OM-1 Mark II enhances the upper limit for step numbers in the popular Live ND shooting to ND128, allowing the camera to handle scenarios requiring larger step numbers.
The OM-1 Mark II introduces powerful imaging capabilities with functions like the approximately 50M Handheld High Res Shot and approximately 80M Tripod High Res Shot. These functions generate high-resolution images that surpass sensor limitations by merging multiple images and reducing noise by nearly two ISO sensitivity steps. They enable RAW recording at 14 bits for exquisite high-resolution shots. Complementing these features are convenient computational photography functions such as Live Composite, selectively illuminating brightened areas, and Focus Stacking, controlling the depth of field for precise subject focus and depth of field.
Advanced AI Detection AF
Now includes human recognition
Developed using deep learning technologies, the AI Detection AF has been enhanced to recognize an extensive array of subjects, including humans, formula racing cars, motorcycles, airplanes, helicopters, trains, birds, and common animals such as dogs and cats. This integration seamlessly enhances the well-established Face Priority / Eye Priority AF, significantly refining autofocus capabilities. It excels accurately identifying subjects, even when individuals are in profile, facing away, or obscured by hidden facial features.
The AI Detection AF harnesses the rapid computational prowess of the TruePic X image processor, providing instantaneous real-time detection of subjects’ movements. It accurately tracks subjects within the frame, ensuring they remain in focus without any loss, and extends its capability to follow intricate details like driver’s helmets or the eyes of birds and other animals, something not possible with human operation. It offers the capability to detect and track up to eight subjects, granting users the flexibility to select their preferred target for creating compelling images.
Enhancements have been made to usability, allowing for easy configuration of subject detection settings within the Super Control Panel. This streamlined feature empowers stress-free shooting experiences, providing users with greater control over their photographic endeavors.
Enhanced memory capacity
Allows a significantly greater number of sequential shots possible, resulting in improved high-speed shooting performance
The OM-1 Mark II features Pro Capture, initiating recording at the halfway press of the shutter button (1st release), recording, and storing previous frames from the moment the shutter button is fully pressed (2nd release). This ensures users never miss fleeting moments due to human reaction time, enabling high-speed sequential shooting at up to 120 fps during AF/AE lock and approximately 50 fps during AF/AE tracking, ensuring the capture of fast-moving subjects.
Equipped with expanded buffer memory, the OM SYSTEM OM-1 Mark II allows retrospective capture of approximately 99 in Pro Capture mode -- an increase from the predecessor OM-1’s 70 frames. In sequential shooting, the OM-1 Mark II can capture approximately 219 frames in JPEG format or 213 frames in RAW shooting at approximately 120 fps, a dramatic improvement in high-speed shooting capability from the OM-1’s approximately 92 frames each.
IP53-class dustproof and splashproof performance
For shooting in challenging environments, accompanied by a dependable reliable dust reduction system
The OM SYSTEM OM-1 Mark II features strategic sealing in appropriate locations across its robust, lightweight magnesium alloy body, providing IP53-class dustproof and splashproof performance. This construction ensures reliable operation even in harsh conditions, maintaining functionality in temperatures as low as -10°C, allowing shooting in the most demanding environments.
Its viewfinder is a 5.76 million dot organic EL (OLED), offering high resolution and an easy-to-see viewfinder magnification of 0.83x, a minimal display delay of 0.005 seconds, and a high-speed display performance of 120 fps. This delivers clarity akin to an optical viewfinder while allowing users to view subjects even in lowlight scenarios and preview the image before activating the shutter, characteristic advantages of electronic viewfinders. Additionally, it features an anti-fogging coating that prevents fog formation, ensuring a clear field of view, even when shooting in rainy conditions.
The OM-1 Mark II incorporates a reliable dust reduction system that prevents the accumulation of dust particles, either from internal components or during lens changes, on the image sensor surface. This robust system dramatically reduces the presence of dust and debris in captured images, contributing to sustained system reliability.
Software and applications to support shooting and editing functionalities
OM Workspace image editing software, Version 2.3
The updated Olympus Workspace image editing software offers advanced RAW processing and editingcapabilities. When connected to the OM-1 Mark II, it enables USB RAW Data Edit features, facilitating processing settings applicable both on the camera and during post-editing, such as tone curve adjustments and dehazing. In addition, it incorporates an AI Noise Reduction function specifically designed for RAW processing, resulting in clearer and enhanced images when applied to RAW files captured with a supported camera.10
OM Capture camera control software, Version 3.1
This software serves as a comprehensive camera control for computers, catering to the needs of studio photography. Facilitating seamless image transfer via Wi-Fi, it is a powerful assistant in studio shooting workflows. It supports high-speed communication capabilities within the 5 GHz band and is fully compatible with OM-1 Mark II operations. Additionally, it allows power supply via USB while controlling the camera.
OM Image Share smartphone app (OI.Share)
This smartphone app establishes a Wi-Fi connection to the camera, enabling the transfer of shooting data, and remote operation. With the OM-1 Mark II, OI.Share can be used to update the firmware on the camera body and allows users to back up and restore camera settings.
M.Zuiko Digital ED 12-40mm F2.8 PRO II Lens
Compact. Bright. Essential.
The upgraded zoom lens you’ve always wanted, the new M.Zuiko Digital ED 12-40mm F2.8 PRO
This bright, fast lens remains both compact and lightweight and delivers exceptional image quality practically anywhere and in all conditions, even low light. Shoot as close as 20cm and get high resolution images across the entire focusing range. This compact, weathersealed, and bright lens handles everything from wide-angle to mid-range telephoto shots. The M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II; a powerful zoom that belongs in every gear bag.
Lens Features:
- Superb Optical Performance with High Resolution Image Quality
- Compact & Lightweight for Maximum Portability
- 14 Elements in 9 Group Lenses Enables Excellent Depictive Performance
- Wide Angle to Mid-Range Telephoto Shooting Capabilities
- Reliable Weathersealed Design with IP53 Dustproof and Splashproof Construction
- High Speed & Precision AF for Versatile Shooting
What's Included
OM-1 Mark II Camera BodyCB-USB13 USB Cable
Shoulder Strap
BLX-1 Li-ion Battery
F-7AC AC Adapter
Instruction Manual
Warranty Card
M.Zuiko Digital ED 12-40mm F2.8 PRO II Lens
Lens Hood
Front Lens Cap
Rear Lens Cap
Lens Wrapping Cloth
Instruction Manual
Warranty Card
Reviews
Product Specifications
OM-1 Mark II |
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Product Type | Micro Four Thirds interchangeable lens system camera | |
Memory | Slot 1 | SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
Slot 2 | SD, SDHC (UHS-I / II), SDXC(UHS-I / II) | |
Sensor size | 17.4 mm x 13.0 mm (Micro Four Thirds) | |
Lens mount | Micro Four Thirds Mount | |
Image Sensor | Image sensor type | 4/3 Stacked BSI Live MOS Sensor |
Number of pixels | Number of effective pixels: Approx. 20.4 million pixels Total number of pixels: Approx. 22.9 million pixels |
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Aspect ratio | 4:3 | |
Dust reduction | Supersonic Wave Filter (image sensor dust reduction system) | |
Still Photo Recording | Recording format | DCF2.0, Exif2.31 |
File format | JPEG, RAW(12-bit lossless compression), JPEG+RAW | |
Recording image size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
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Dual Slot Settings | Standard, Auto Switch, Dual Independent, Dual Same | |
Folder creation and selection | Available | |
Image Stabilisation System | Image stabilisation type | Built-in 5-axis sensor-shift image stabilisation |
Image stabilisation mode | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF | |
Stabilisation performance | Compensation steps (Body only): 8.5 *When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II Focal length: 40mm (35mm equivalent: 80mm) |
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Compensation steps (Sync IS): 8.5 *When using the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilisation Off, Frame rate: High |
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5-axis Sync IS | Available *When using the M.Zuiko Digital lenses equipped with image stabilisation |
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Focal length setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
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Finder | Finder type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
Field of view / Viewfinder magnification | Approx. 100% / Approx. 1.48x[*1] ~ 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
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Eye point / Diopter adjustment range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 | |
Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid colour is selectable |
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Level Gauge | 2-axis (horizontal/vertical) level gauge | |
Finder Style | 3 styles | |
Brightness and Colour Temperature Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control both GM and BA | |
LV Mode | Standard/S-OVF | |
Eyecup | EP-18 (bundled) | |
Monitor | Monitor type | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.62M dots (3:2), |
Touch control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Subject selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Super Control Panel, Wi-Fi connection, Movie controls, Menu control* *Tab selection/page selection/character input |
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Tilting capability | Swivel type | |
Brightness / Colour temperature control | ±7 levels / GM ±7 levels, BA ±7 levels | |
Focusing | AF system | High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
AF working range | Lowest luminance (-5.5 EV) / Highest luminance (19 EV) *ISO approx. 100, with F2.8 lens |
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Focusing point / Focusing point selection mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
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Focus mode | Single AF (S-AF), Single AF (S-AF+MF), Continuous AF (C-AF), Continuous AF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF (S-AF+MF) | |
C-AF tracking sensitivity settings | 5 steps | |
C-AF Center Priority | Available | |
AF limiter | Available *Up to 3 distance settings can be saved |
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AF targeting pad | Available | |
Magnified frame AF | 3x, 5x, 7x, 10x, 14x | |
AI detection AF | Human, Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats | |
Magnify MF | Available | |
Peaking function | Available | |
AF Focus Adj. | Available | |
AF illuminator | Available | |
Focus indicator | Available | |
Exposure Control (Still) | Metering system (TTL Image sensor metering) |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
Metering range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
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ISO sensitivity (AUTO) | LOW (approx.80) ~ 102400 * Upper default ISO 25600 |
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ISO sensitivity (MANUAL) | LOW (approx.80, approx.100), 200 ~ 102400 | |
Exposure compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
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AE lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
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Anti-Flicker Shooting | Available | |
Shutter | Focal-plane shutter (mechanical shutter) | 1/8000 ~ 60 sec, Live Bulb, LiveTime, Live Composite |
Electronic first curtain shutter | 1/320 ~ 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. |
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Electronic shutter (Silent mode) | 1/32000 ~ 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three |
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Flicker Scan | Video recording 1/30 ~ 1/500.0 Still 1/50.0 ~ 1/6944 *Video recording S/M mode, Still S/M silent mode only |
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Drive | Sequential shooting maximum speed | [Sequential shooting] approx 10 fps with selectable 1-10 fps |
[Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps | ||
[Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps with blackout | ||
[Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. *Focus and exposure are fixed at first frame. |
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[Silent sequential shootingSH2] approx 50 fps with selectable 12.5, 16.7, 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
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[Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *Slower shutter speeds and flash can not be used |
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[Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *Slower shutter speeds and flash can not be used. *Focus and exposure are fixed at first frame. |
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[Pro Capture SH2] approx 50 fps with selectable 12.5, 16.7, 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
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Compatible lens to SH2 50 fps | M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Ⅱ M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 150-400mm F4.5 TC 1.25x IS PRO M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO |
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Sequential shooting maximum recordable frames | Sequential shooting 10 fps [RAW]: Until card is full | |
*When using the M.Zuiko Digital ED 12-40mm F2.8 PRO II and the KIOXIA KSDXU-A064G memory card with standard card setting in slot 1. *Low ISO processing: Priority is given to sequential shooting |
Sequential shooting 10 fps [JPEG LF]: Until card is full | |
Silent sequential shooting 20 fps [RAW]: Approx. 405 | ||
Silent sequential shooting 20 fps [JPEG LF]: Approx. 993 | ||
Silent sequential shooting SH1 120 fps [RAW]: Approx. 213 | ||
Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 219 | ||
Silent sequential shooting SH2 50 fps [RAW]: Approx. 256 | ||
Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 309 | ||
Flash | Flash intensity control method | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
Flash mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
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Red-eye sync | Available | |
Synchronisation timing | 1st curtain, 2nd curtain selectable | |
Synchronisation speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
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Flash intensity control | ±3 EV (1/3, 1/2, 1 EV steps selectable) | |
Compatible external flash | FL-LM3, FL-900R, STF-8, FL-700WR | |
Wireless Flash Control | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash |
FL-900R, FL-700WR |
Commander flashes | FL-LM3, FL-900R, STF-8, FL-700WR | |
Radio wireless control | Available | |
External Flash intensity type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL | |
Channel | 4 channels | |
Group No. | 3 groups (External flash 2 groups + commander flash) | |
White Balance | White balance mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
White balance compensation | ±7 steps along A-B / G-M axis * Including Custom WB | |
Colour Mode | Colour matrix | sRGB, Adobe RGB |
Picture Mode | Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Colour Creator, Art Filters |
Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Colour Creator |
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Hilight and shadow control | Available | |
Art Filter | Pop Art, Soft Focus, Pale & Light Colour, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Colour, Vintage, Partial Colour (18 colour selectable), Bleach Bypass, Instant Film | |
Bracketing | Exposure bracketing | 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
ISO bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) | |
White balance bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
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Flash bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) | |
Art Filter bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator, Underwater selectable | |
Focus bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
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Focus stacking | Available | |
Focus stacking compatible lens | M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 90mm F3.5 Macro IS PRO M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
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HDR Function | HDR (Auto composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
Bracketing for HDR postprocess | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) | |
Keystone Compensation | Keystone Compensation | Available |
Fisheye Compensation | Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
Live ND | Live ND | Available *S/M mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
Live GND | Live GND | Available *P/A/S/M mode, flash can not be used, ISO up to 3200(up to 1600 in ISO Auto), the maximum shutter speed is 1/16000 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
Filter type | 3 styles (Soft / Medium / Hard) | |
Filter adjustment | Available *Adjustable filter position and angle |
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High Res Shot | Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW* 10368 x 7776 *High Res RAW Recording bit: 12bit / 14bit |
Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW* 8160 x 6120 *High Res RAW Recording bit: 12bit / 14bit |
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Live Bulb /. Live Time | Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
Live Composite | Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
Interval Mode | Interval Mode | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
Multi Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) | |
Multi Aspect | Multi Aspect | 4:3(Default), 3:2, 16:9, 1:1, 3:4 |
One Push Tele-converter | Magnification | 2x |
Level Gauge | Detection | 2-axis (horizontal / vertical) |
Video Recording | Video recording format | MOV(MPEG-4AVC/H.264) |
4096 x 2160 (C4K) | 30p、25p、24p / LongGOP(Approx. 102Mbps) 60p、50p / LongGOP(Approx. 202Mbps) |
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3840 x 2160 (4K) | 30p、25p、24p / LongGOP(Approx. 102Mbps) 60p、50p / LongGOP(Approx. 202Mbps) |
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1920 x 1080 (FHD) | 30p、25p、24p / ALL-I(Approx. 202Mbps)、LongGOP(Approx. 27Mbps) 60p、50p / LongGOP(Approx. 52Mbps) |
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Video recording format | MOV (HEVC/H.265) | |
4096 x 2160 (C4K) | 30p、25p、24p / LongGOP(Approx. 77Mbps) 60p、50p / LongGOP(Approx. 152Mbps) |
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3840 x 2160 (4K) | 30p、25p、24p / LongGOP(Approx. 77Mbps) 60p、50p / LongGOP(Approx. 152Mbps) |
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1920 x 1080 (FHD) | 30p、25p、24p / ALL-I(Approx. 82Mbps)、LongGOP(Approx. 22Mbps) 60p、50p / ALL-I(Approx. 162Mbps)、LongGOP(Approx. 42Mbps) |
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Vertical Video | Available *Video files are saved vertically when holding the camera vertically to shoot. *Videos are not played in the vertical orientation on the camera. |
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Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
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One-push Movie Digital Converter | Approx. 1.4x | |
Time Lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
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Quick Movie / Slow Movie | Available | |
High speed movie | 240,200,120,100fps(1920×1080 / MPEG-4 AVC/H.264) | |
200,120,100fps(1920 x 1080 / HEVC/H.265) | ||
Image Stabilisation for video recording | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilisation can be given top priority. |
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Grid Line | Available | |
Focus Peaking | 4 colours | |
Zebra Pattern | Available * 2 levels selectable to set |
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Center Marker | Available | |
Time code | Rec run / free run, drop frame / non-drop frame | |
Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
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Movie Picture Mode | Flat, OM-Log400, HLG | |
AE Lock | Available | |
Recording(Sound) | Sound recording format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
High-Resolution Audio recording | Stereo linear PCM/24-bit, Sampling frequency 96kHz | |
Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
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Microphone function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
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Wireless Connection | GPS info. Function | Available *Via GPS smartphone |
Wireless Shooting | Live View via smartphpne, Remore shutter via smartphone, Remote shutter by Remote controller RM-WR1 | |
Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
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Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
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Tethered shooting | Tethered shooting control | USB connection *Camera can be operated by PC or camera controls |
Wi-Fi connection (2.4GHz/5GHz) *Camera can be operated by PC or camera controls |
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WEB Camera | UVC(USB Video Class) / UAC(USB Audio Class) | |
Playback | Playback mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
Information display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF | |
Image Editing | Movie Editing function | Trimming (begining / end) / In-movie image extraction (4K only) |
Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording | |
RAW data edit | RAW data edit based on settings of the camera (including Colour Creator, Art Filter, ART-BKT). | |
Rating | Available | |
Print function | Print reservation (DPOF) | |
Menu language | Languages | 18 languages selectable : - English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Weatherproof construction | Splashproof Type / Dustproof | IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) |
Freezeproof | -10℃ | |
Input/Output | USB/Remote controller connector | USB Type-C (USB 3.0 SuperSpeed) |
Remote controller connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote contlloer RM-WR1 can be used) | |
HDMI connector | Micro HDMI (type D) | |
Flash attachment | Hot shoe, sync terminal | |
Wireless LAN | Built-in (IEEE 802.11a/b/g/n/ac) | |
Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) | |
Microphone input jack | ⌀3.5 stereo mini jack (plug-in power on/off) | |
Headphone connector | ⌀3.5 stereo mini jack | |
Power Requirements | Battery | BLX-1 Li-ion battery |
Battery status display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation | |
USB bus power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
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USB charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
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Sleep mode | 1/3/5 min., Off | |
Number of recordable images | Standard mode: approx. 500 shots / Quick sleep mode: approx. 1010 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
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Battery life for movie recording | Under standard JEITA testing: approx. 90 minutes When zoom and other operational functions are not used: approx. 150 minutes |
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Dimensions / Weight | Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
Weight | Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g | |
Body only: 511g | ||
Operating Environment | Temperature | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
Humidity | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) | |
Box contents | Version except U and E. | Body, CB-USB13 USB cable, Shoulder strap, Instruction manual, Warranty card, BLX-1 Li-ion battery, F-7AC AC adapter |
U version | Body, CB-USB13 USB cable, Shoulder strap, Instruction manual, Warranty card, BLX-1 Li-ion battery, F-7AC AC adapter, FL-LM3 Flash | |
E version | Body, CB-USB13 USB cable, Shoulder strap, Instruction manual, Warranty card, BLX-1 Li-ion battery |
M.Zuiko Digital ED 12-40mm F2.8 PRO II Lens |
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FOCAL LENGTH | 12-40 mm |
35MM EQUIVALENT FOCAL LENGTH | 24-80 mm |
LENS CONSTRUCTION | 14 elements in 9 groups (1 EDA lens, 2 aspherical lens, 1 DSA lens, 2 ED lens, 1 HD lens, 2 HR lens) |
WEATHERPROOFING | IEC Standard publication 60529 IP53 (applies when the lens is used with OM SYSTEM (OLYMPUS) splashproof body) / Dustproof construction |
FOCUSING SYSTEM | High-speed Imager AF (MSC) |
ANGLE OF VIEW | 84-30 degrees |
CLOSEST FOCUSING DISTANCE | 0.2m |
MAXIMUM IMAGE MAGNIFICATION | Wide: 0.11x Tele: 0.3x |
35MM EQUIVALENT MAX. IMAGE MAGNIFICATION | Wide: 0.21x Tele: 0.6x |
MINIMUM FIELD SIZE | Wide: 161.7×121.5 mm Tele: 58 x 44 mm |
NUMBER OF BLADES | 7 (Circular aperture diaphragm) |
MAXIMUM APERTURE | F2.8 |
MINIMUM APERTURE | F22 |
FILTER SIZE | Diameter 62 mm |
DIMENSIONS | ø69.9 × 84 mm (ø2.75 × 3.3") |
WEIGHT | 382 g (13.5 oz.) * Without Lens Cap, Lens Rear Cap and Lens Hood. |
Questions & Answers
OM System OM-1 Mark II Mirrorless Kit w/ M.Zuiko Digital ED 12-40mm f/2.8 PRO II Lens
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