- Webcode: 476604 • Mfr: V210050SW000
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Product Highlights
- 20.4 MP 4/3 Stacked BSI Live MOS Sensor
- Micro Four Thirds Format
- Up to 120fps Continuous Shooting (Silent sequential shooting SH1)
- ISO 25600 Sensitivity (Expandable to 102400)
- C4K (4096 x 2160) @30p Video Recording
- 3" Vari-Angle Touchscreen
Estimated Release Date: Feb 27, 2025
This exciting new product is being released in limited quantity. Orders will be filled on a first-come, first-served basis. A credit card pre-authorization will be taken upon placing your order. Once your order is approved, we will process a 25% deposit to hold your place in line for the next available unit to arrive.
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OM System OM-3 Mirrorless Body
OM System OM-3 Mirrorless Body
$2,799.99
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This is a NEW product available for Pre-Order only. Place your order and you will be one of the first in line to receive it when the manufacturer ships to us. Orders are filled by the date received.
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Lease this for: $107.24 Learn More
Overview
OM-3
Born to Create. It's in Our Nature.
OM SYSTEM OM-3 redefines creative freedom, empowering you to explore and push the boundaries of possibility. Designed to excel in any environment, it keeps you mobile and expressive, no matter the conditions, from urban to nature and between. The OM SYSTEM OM-3 is designed for urban creatives for whom photography is part of their lifestyle. It’s durable metal build with vintage-inspired design, and portability make it perfect for everyday use, offering versatility from city walks to urban nature escapes.
Key Features:
- Creative Dial: 4 Colour Profiles, 4 Monochrome Profiles, Colour Creator & Art Filters
- Computational Photography Button: Quick access to 6 Computational photography features
- Still, Video and S&Q Video Dial: Switch between stills, video and Slow & Quick Motion video
- Absolute Reliability: IP53 certified weather sealing
- Professional Quality - Compact Form: Light metal body, 7.5EV In-Body IS, 20MP Stacked BSI Live MOS sensor
20MP Stacked BSI Live MOS Sensor
Enjoy image quality rivaling full frame cameras. The stacked BSI sensor delivers spectacular resolution, barely a whisper of noise and vivid colour and razor sharpness.
120fps Pro Capture
Capture split second moments. Press the shutter halfway and the camera automatically starts buffering shots on its internal memory at 120fps. Press it fully to take the shot you want without missing.
OI.Share
Use our free app to connect the OM-3 to your smartphone. You can instantly send and post photos and videos, plus operate the camera remotely.
OM Cinema 1 & 2
OM-3 introduces all-new creative video modes, OM Cinema 1 & 2. With these new modes you can capture cinematic videos without need of colour grading.
Shoot in the Dark
Shooting indoors or in low light won’t be an issue with a standard ISO sensitivity range of 25,600 that ramps all the way up to 102,400 (extended) for crisp, clear shots.
Focus Stacking and Much More
OM-3 builds in yet so much more from Focus Stacking and bracketing to Live Composite and AI Subject Detection. AI detection works with humans too.
Quick & Slow Video Switch
Easily record slow-motion videos that capture movements too fast for the eye to follow and fast-motion videos that condense long recording times.
AI Detection AF
The AI Subject Detection AF maintain focus accurately and reliably on birds, pets, cars and aircrafts, and humans.
IBIS up to 7.5 EV Steps
The OM-3’s image stabilisation sets bar high for its class. Up to 7.5 EV Steps, you can capture the energy of city streets or the beauty of wildlife with ease.
High Res Shot
The High Res Shot mode lets you capture stunning details either in 80Mp or 50Mp modes And now, you can capture High Res Shots in 14-bit RAW with three times the tones.
Dust Reduction
OM-3’s Super Sonic Wave Filter ensures camera’s internals stay clean, so your photos remain flawless and free of distractions.
It vibrates over 30,000 times per second upon startup of the camera.
IP53 Weather Sealing
For reliability in any weather. OM-3’s internal seals, reinforced with rubber gaskets, ensure reliable protection against the nature’s elements.
TruePic X
Every camera needs an engine and ours is the technologically-advanced TruePic X that delivers blazing fast processing to help you easily capture any subject.
Live Composite
Live Composite creates long exposures by only capturing new, brighter light sources. Perfect for stars, fireworks or light painting, without overexposing the surrounding area.
Sequential Shooting up to 120fps
The OM-3 delivers incredible speeds, with 120 fps sequential shooting in S-AF mode. In C-AF mode, the camera can track subjects at up to 50 fps, ensuring precise focus on fast-moving objects.
Keep Calm Carry-On
Compared to rivals, we are much lighter in system weight. WIth the OM-3, you fit a complete set of camera gear in a standard Carry-On bag.
Quad Pixel AF
The OM-3 features our latest backside-illuminated Stacked Live MOS sensor with 100% autofocus coverage and 1,053 AF points for unmatched accuracy and versatility.
Live ND & Live GND
The OM-3 has internal ND filters for capturing long exposure shots in daylight. With the Graduated Neutral Density filter, you have the freedom to position the graduation precisely as you like.
OM-Log400 & RAW video
OM-3 is capable of capturing internal 10 bit. H265 video with OMLog400 colour profile, preserving more data in highlights and shadows. Proress RAW capture is also available through external recorder.
What's Included
OM-3 Mirrorless Camera BodyCB-USB13 USB Cable
Shoulder Strap
Instruction Manual
Warranty Card
BLX-1 Li-ion Battery
Reviews
Product Specifications
OM-3 |
|
|---|---|
| SENSOR EFFECTIVE RESOLUTION / TYPE | 20.4 Megapixel 4/3 Stacked BSI Live MOS |
| PROCESSOR | TruePic™ X Dual Quad Core Processor |
| IMAGE STABILISATION SYSTEM | 5-Axis Image Stabilisation with up to 7.5 Shutter Speed Steps Compensation |
| DUST REDUCTION | Super Sonic Wave Filter |
| WEATHERPROOFING | Dust, Splash and Freezeproof (IP53 Rated) |
| VIEWFINDER | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| REAR MONITOR | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx. 1620k dots (3:2) |
| FOCUSING SYSTEM | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| FOCUSING POINTS | Cross-type phase detection AF (1,053 points) |
| AI DETECTION AF | Human, Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| CREATIVE FEATURES | Colour dial available Colour filter effect: None/8 colours (Red, Orange, Yellow, Yellow-Green, Green, Cyan, Blue, Magenta) with 3 steps Shading effect: 11 steps (-5 ~ +5) Film grain effect: Off/Low/Med/High Monochrome colour: Normal/Sepia/Blue/Purple/Green *Settings can be stored individually to MONO1/MONO2/MONO3/MONO4. Settings of Highlight & Shadow Control can be stored as well. Colour profile control: Saturation of 12 colours can be adjusted in 11 steps (-5 ~ +5) Shading effect: 11 steps (-5 ~ +5) *Settings can be stored individually to COLOR1/COLOR2/COLOR3/COLOR4. Settings of Highlight&Shadow Control can be stored as well |
| SEQUENTIAL SHOOTING | [Sequential shooting] approx. 6 fps with selectable 1-6 fps [Silent sequential shooting SH1] approx. 120 fps with selectable 30, 60, 100, 120 fps [Silent sequential shootingSH2] approx 50 fps with selectable 12.5, 16.7, 25, 50, fps |
| ADDITIONAL FEATURES | [Sequential shooting] approx. 6 fps with selectable 1-6 fps [Silent sequential shooting SH1] approx. 120 fps with selectable 30, 60, 100, 120 fps [Silent sequential shootingSH2] approx 50 fps with selectable 12.5, 16.7, 25, 50, fps |
| WEIGHT | Body only: 413g |
| DIMENSIONS | Approx. 139.3mm(W) x 88.9mm(H) x 45.8mm(D) *Based on CIPA standards: excludes protrusions |
Detailed Specifications |
||
|---|---|---|
Product Type |
Micro Four Thirds Interchangeable Lens System Camera | |
Memory |
Slot 1 | SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
Sensor Size |
17.4 mm x 13.0 mm (Micro Four Thirds) | |
Lens Mount |
Micro Four Thirds Mount | |
Image Sensor |
Image Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Number of Pixels | Number of effective pixels: Approx. 20.4 million pixels | |
| Total number of pixels: Approx. 22.9 million pixels | ||
| Aspect Ratio | 4:03 | |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) | |
Still Photo Recording |
Recording Format | DCF2.0, Exif3.0 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW | |
| Recording Image Size | RAW: 5184 x 3888 | |
| JPEG: 5184 x 3888 ~ 1024 x 768 | ||
| Folder Creation and Selection | Available | |
Image Stabilization System |
Image Stabilization Type | Built-in 5-axis sensor-shift image stabilization |
| Image Stabilization Mode | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF | |
| Stabilization Performance | Compensation steps (In-body IS): center 6.5 steps, corner 5.5 steps | |
| *When using M.ZUIKO DIGITAL ED 12-45mm F4.0 PRO at a focal distance of f = 45mm (35mm equivalent: f = 90mm), Yaw/Pitch/Roll compensation performance, CIPA 2024 standard compliant | ||
| Compensation steps (Sync IS): center 7.5 steps, corner 6.5 steps | ||
| *When using M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO at a focal distance of f = 100mm (35mm equivalent: f = 200mm), halfway release image stabilization: Off, Yaw/Pitch/Roll compensation performance, CIPA 2024 standard compliant | ||
| 5-axis Sync IS | Available | |
| *When using the M.Zuiko Digital lenses equipped with image stabilization | ||
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) | |
| *Lenses without communication function can be registered | ||
Finder |
Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] - 1.37x[*2] (-1m-1, 50mm lens, Infinity) | |
| [*1] Finder Style 1, 2 (aspect ratio 4:3) | ||
| [*2] Finder Style 3 (aspect ratio 4:3) | ||
| Eye Point / Diopter Adjustment Range | Approx. 27 mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 | |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid | |
| *Grid color is selectable | ||
| Level Gauge | 2-axis (horizontal/vertical) level gauge | |
| Finder Style | 3 styles | |
| Brightness and Color Temperature Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 levels GM ,±7 levels BA manual color temperature control | |
| LV Mode | Standard/S-OVF | |
| Eyecup | EP-15 (bundled), Large eyecup EP-16 (optional) | |
Monitor |
Monitor type | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx. 1620k dots (3:2) |
| Tilting Capability | Swivel type | |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Subject selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Super Control Panel, Wi-Fi connection, Movie controls, Menu control* | |
| *Tab selection/page selection/character input | ||
| Brightness / Color temperature control | ±7 levels / ±7 levels GM,±7 levels BA | |
Focusing |
AF System | High-speed imager AF |
| *Imager phase detection AF and imager contrast AF used in combination | ||
| AF Working Range | Lowest luminance (-5.5 EV) / Highest luminance (19 EV) | |
| *ISO approx. 100, with F2.8 lens | ||
| Focusing Point | Cross-type phase detection AF | |
| *Two lines up and down are invalid at SH2 | ||
| Contrast AF | ||
| *Two lines up and down are invalid at SH2 | ||
| Focusing point / Focusing point selection mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) | |
| *Number of saved custom target settings: 4 | ||
| Focus Mode | Single AF (S-AF), Single AF (S-AF+MF), Continuous AF (C-AF), Continuous AF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF (S-AF+MF) | |
| C-AF Tracking Sensitivity Settings | 5 steps | |
| C-AF Center Priority | Available | |
| AF Limiter | Available | |
| *Up to 3 distance settings can be saved | ||
| AF Targeting Pad | Available | |
| Magnified Frame AF | 3x, 5x, 7x, 10x, 14x | |
| Intelligent Subject Detection AF | Human, Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats | |
| Manual Focus Assist | Magnify | |
| Peaking Function | Color: 4 colors (white, black, red or yellow) | |
| Highlight intensity: high, normal or low | ||
| Image brightness Adj.: On or off | ||
| Focus Indicator | Available | |
| AF Focus Adj. | Available | |
| AF Illuminator | Available | |
Exposure Control |
Metering System | Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* |
| (TTL Image Sensor Metering) | *Also available AF target spot metering | |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) | |
| *ISO approx. 100, with F2.8 lens | ||
| P/A/S/M/B* | ||
| *Not available with Movie or S&Q | ||
| B | ||
| LOW (approx.80) ~ 102400 | ||
| * Upper default ISO 25600 | ||
| LOW (approx.80, approx.100), 200 ~ 102400 | ||
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) | |
| *Live View only reflects up to ±3 EV steps | ||
| AE Lock | Available | |
| *Locks with a half-press of the shutter button (can be set to other buttons) | ||
| Anti-Flicker Shooting | Available | |
Shutter |
Focal-Plane Shutter (Mechanical Shutter) | 1/8000 ~ 60 sec, Live Bulb, LiveTime, Live Composite |
| Electronic First Curtain Shutter | 1/320 ~ 60 sec | |
| *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. | ||
| Electronic Shutter (Silent Mode) | 1/32000 ~ 60 sec | |
| *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three | ||
| Video recording 1/30 ~ 1/500.0 Still 1/50.0 ~ 1/6944 | ||
| *Video recording S/M mode, Still S/M silent mode only | ||
Drive |
Sequential Shooting Maximum Speed | [Sequential shooting] approx. 6 fps with selectable 1-6 fps |
| [Anti-shock sequential shooting] approx. 5.5 fps with selectable 1-6 fps | ||
| [Silent sequential shooting] approx. 20 fps with selectable 5, 10, 15, 20 fps | ||
| [Silent sequential shooting SH1] approx. 120 fps with selectable 30, 60, 100, 120 fps | ||
| [Silent sequential shootingSH2] approx 50 fps with selectable 12.5, 16.7, 25, 50, fps | ||
| *Slower shutter speeds and flash can not be used. | ||
| *Compatible lenses are limited. | ||
| [Pro Capture] approx. 20 fps with selectable 5, 10, 15, 20 fps | ||
| [Pro Capture SH1] approx. 120 fps with selectable 30, 60, 100, 120 fps | ||
| *Slower shutter speeds and flash can not be used. | ||
| *Focus and exposure are fixed at first frame. | ||
| [Pro Capture SH2] approx. 50 fps with selectable 12.5, 16.7, 25, 50 fps | ||
| *Slower shutter speeds and flash can not be used. | ||
| *Compatible lenses are limited. | ||
| Sequential Shooting Maximum Recordable Frames | Sequential shooting at max. fps [RAW]: Until card is full | |
| *The lens used: M.Zuiko Digital ED 12-40mm F2.8 PRO II and the KIOXIA KSDXU-A064G (UHS-II U3 Class10 64GB) memory card. | Sequential shooting at max. fps [JPEG default]: Until card is full | |
| *Low ISO processing: Priority is given to sequential shooting | Silent sequential shooting at max. fps [RAW]: Approx. 151 | |
| Silent sequential shooting at max. fps [JPEG LF]: Approx. 375 | ||
| Silent sequential shooting SH1 at max. fps [RAW]: Approx. 88 | ||
| Silent sequential shooting SH1 at max. fps [JPEG LF]: Approx. 90 | ||
| Silent sequential shooting SH2 at max. fps [RAW]: Approx. 102 | ||
| Silent sequential shooting SH2 at max. fps [JPEG LF]: Approx. 125 | ||
| Lenses compatible with SH2 50fps | M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO | |
| M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Ⅱ | ||
| M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO | ||
| M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO | ||
| M.ZUIKO DIGITAL ED 150-400mm F4.5 TC 1.25x IS PRO | ||
| M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO | ||
| Lenses not compatible with SH2 | M.ZUIKO DIGITAL ED 14-42mm F3.5-5.6 | |
| M.ZUIKO DIGITAL ED 14-42mm F3.5-5.6 L | ||
| M.ZUIKO DIGITAL ED 17mm F2.8 | ||
Flash |
Flash Intensity Control Method | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) |
| *Auto and Super FP are available on the external flash | ||
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* | |
| *Manual is available only with FL-LM3/STF-8 | ||
| Reduce Red-eye | Available | |
| Synchro Settings | 1st curtain, 2nd curtain selectable | |
| 1/250 sec. or slower | ||
| *When using Super FP: 1/125 - 1/8000 sec. | ||
| *When using electronic shutter: 1/100 sec. at up to ISO12800, 1/50 sec. at ISO16000 or higher, and 1/50 sec. for ISO bracketing | ||
| Slow Limit | 60”-1/250 | |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) | |
| Compatible External Flash | FL-LM3, FL-900R, STF-8, FL-700WR | |
| FL-900R, FL-700WR | ||
| FL-LM3, FL-900R, STF-8, FL-700WR | ||
| Commander Flashes | FL-LM3, FL-900R, STF-8, FL-700WR | |
| Channel | 4 channels | |
| 3 groups (external flash 2 groups + commander flash) | ||
| Radio Wireless Control | Available (FL-700WR, FC-WR) | |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL | |
White Balance |
White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| ±7 steps along A-B / G-M axis (including custom WB) | ||
Color Mode |
Color Matrix | sRGB, Adobe RGB |
Picture Mode |
Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters, Monochrome profile control, Color profile control |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) | |
| *Except when using Underwater, Art Filters, Color Creator and Profile Control | ||
| Highlight and Shadow Control | Adjustable at ±7 steps each for highlight, shadow, and midtone | |
Art Filter |
Art Filter | Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
Color Creator |
Color Creator | Available |
Monochrome Profile Control |
Monochrome Profile Control | Color filter effect: None/8 colors (Red, Orange, Yellow, Yellow-Green, Green, Cyan, Blue, Magenta) with 3 steps |
| Shading effect: 11 steps (-5 ~ +5) | ||
| Film grain effect: Off/Low/Med/High | ||
| Monochrome color: Normal/Sepia/Blue/Purple/Green | ||
| *Settings can be stored individually to MONO1/MONO2/MONO3/MONO4. Settings of Highlight & Shadow Control can be stored as well. | ||
Color Profile Control |
Color Profile Control | Saturation of 12 colors can be adjusted in 11 steps (-5 ~ +5) |
| Shading effect: 11 steps (-5 ~ +5) | ||
| *Settings can be stored individually to COLOR1/COLOR2/COLOR3/COLOR4. Settings of Highlight & Shadow Control can be stored as well | ||
Bracketing |
Exposure Bracketing | 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) | |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each) | |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) | |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Under Water, Art Filters, Color Creator and Profile Control selectable | |
| Focus Bracketing | 3 - 999 frames (focus step selectable from 1-10) | |
| Flash charge time (selectable from 0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15 or 30 sec.) | ||
| Focus Stacking | Available | |
| Focus Stacking Compatible Lenses | M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO | |
| M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO | ||
| M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO | ||
| M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II | ||
| M.ZUIKO DIGITAL ED 12-45mm F4 PRO | ||
| M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO | ||
| M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO | ||
| M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO | ||
| M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS | ||
| M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS II | ||
| M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO | ||
| M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO | ||
| M.ZUIKO DIGITAL ED 30mm F3.5 Macro | ||
| M.ZUIKO DIGITAL ED 60mm F2.8 Macro | ||
| M.ZUIKO DIGITAL ED 90mm F3.5 Macro IS PRO | ||
| M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO | ||
| M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 | ||
| M.ZUIKO DIGITAL 2x Teleconverter MC-20 | ||
HDR Function |
HDR (Auto Composite) | HDR1, HDR2 (painting-like) |
| *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. | ||
| Bracketing for HDR Postprocess | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) | |
Keystone Compensation |
Keystone Compensation | Available |
Fisheye Compensation |
Fisheye Compensation | 3 Styles |
| *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. | ||
Live ND |
Live ND | Available |
| *S/M mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. | ||
Live GND |
Live GND | Available |
| *P/A/S/M mode, flash can not be used, ISO up to 3200(up to 1600 in ISO Auto), the maximum shutter speed is 1/16000 (when ND2 is set) and the speed drops if the number of ND steps is raised. | ||
| Filter Type | 3 styles (Soft / Medium / Hard) | |
| Filter adjustment | Available | |
| *Adjustable filter position and angle | ||
High Res Shot |
Tripod High Res Shot | JPEG (80M) 10368 x 7776 |
| JPEG (50M) 8160 x 6120 | ||
| JPEG (25M) 5760 x 4320 | ||
| RAW* 10368 x 7776 | ||
| *High Res RAW Recording bit: 12bit / 14bit | ||
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 | |
| JPEG (25M) 5760 x 4320 | ||
| RAW* 8160 x 6120 | ||
| *High Res RAW Recording bit: 12bit / 14bit | ||
Live Bulb / Live Time |
Live Bulb / Live Time | Available |
| *Update interval time 0.5 sec. - 60 sec. | ||
Live Composite |
Live Composite | Available |
| *Update interval time 0.5 sec. - 60 sec. | ||
Interval Shooting |
Interval Shooting | Available |
| *Creating Time-lapse movie is possible with interval shooting up to 999 frames. | ||
| *Time priority, Frame priority selectable | ||
| *Exposure smoothing is available | ||
Multiple Exposure |
Number of Frames | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
Multi Aspect |
Multi Aspect | 4:3 (Default), 3:2, 16:9, 1:1, 3:4 |
One Push Tele-Converter |
Magnification | 2x |
Level Gauge |
Detection | 2-axis (horizontal / vertical) |
Video Recording |
Video Recording Format | MOV (MPEG-4AVC / H.264), YCbCr 4:2:0 (8bit) |
| 4096 x 2160 (C4K) | 30p, 25p, 24p / LongGOP (approx. 102Mbps) | |
| Recording rate 48kHz/16bit | 60p, 50p / LongGOP (approx. 202Mbps) | |
| 4096 x 2160 (C4K) | 30p, 25p, 24p / LongGOP (approx. 105Mbps) | |
| Recording rate 96kHz/24bit | 60p, 50p / LongGOP (approx. 205Mbps) | |
| 3840 x 2160 (4K) | 30p, 25p, 24p / LongGOP (approx. 102Mbps) | |
| Recording rate 48kHz/16bit | 60p, 50p / LongGOP (approx. 202Mbps) | |
| 3840 x 2160 (4K) | 30p, 25p, 24p / LongGOP (approx. 105Mbps) | |
| Recording rate 96kHz/24bit | 60p, 50p / LongGOP (approx. 205Mbps) | |
| 1920 x 1080 (FHD) | 30p, 25p, 24p / ALL-I (approx. 202Mbps), LongGOP (approx. 27Mbps) | |
| Recording rate 48kHz/16bit | 60p, 50p / LongGOP (approx. 52Mbps) | |
| 1920 x 1080 (FHD) | 30p, 25p, 24p / ALL-I (approx. 205Mbps), LongGOP (approx. 30Mbps) | |
| Recording rate 96kHz/24bit | 60p, 50p / LongGOP (approx. 55Mbps) | |
| Video Recording Format | MOV (HEVC/H.265), YCbCr 4:2:0（10bit） | |
| 4096 x 2160 (C4K) | 30p, 25p, 24p / LongGOP (approx. 77Mbps) | |
| Recording rate 48kHz/16bit | 60p, 50p / LongGOP (approx. 152Mbps) | |
| 4096 x 2160 (C4K) | 30p, 25p, 24p / LongGOP (approx. 80Mbps) | |
| Recording rate 96kHz/24bit | 60p, 50p / LongGOP (approx. 155Mbps) | |
| 3840 x 2160 (4K) | 30p, 25p, 24p / LongGOP (approx. 77Mbps) | |
| Recording rate 48kHz/16bit | 60p, 50p / LongGOP (approx. 152Mbps) | |
| 3840 x 2160 (4K) | 30p, 25p, 24p / LongGOP (approx. 80Mbps) | |
| Recording rate 96kHz/24bit | 60p, 50p / LongGOP (approx. 155Mbps) | |
| 1920 x 1080 (FHD) | 30p, 25p, 24p / ALL-I (approx. 82Mbps), LongGOP (approx. 22Mbps) | |
| Recording rate 48kHz/16bit | 60p, 50p / ALL-I (approx. 162Mbps), LongGOP (approx. 42Mbps) | |
| 1920 x 1080 (FHD) | 30p, 25p, 24p / ALL-I (approx. 85Mbps), LongGOP (approx. 25Mbps) | |
| Recording rate 96kHz/24bit | 60p, 50p / ALL-I (approx. 165Mbps), LongGOP (approx. 45Mbps) | |
| Vertical Video | Available | |
| *Video files are saved vertically when holding the camera vertically to shoot. *Videos are not played in the vertical orientation on the camera. | ||
| Art Filter Movie | Available | |
| *Frame rates may drop when certain Art Filters are used. | ||
| Digital Tele-converter | Approx. 1.4x | |
| Time Lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps | |
| 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps | ||
| 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps | ||
| S&Q Movie (Slow Motion / Quick Movie) | Capturing Frame Rate: 240fps, 200fps, 120fps, 100fps, 60fps, 50fps, 30fps, 25fps, 24fps, 15fps, 12fps, 8fps, 6fps, 3fps, 2fps, 1fps | |
| *Selectable capturing frame rates are limited depending on the recording codec, image size, frame-to-frame compression, and playback frame rate settings. | ||
| Image Stabilization for Video Recording | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), | |
| M-IS2 (Multi motion IS by Image sensor shift), OFF | ||
| *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. | ||
| Grid Line | Available | |
| Focus Peaking | 4 colors | |
| Zebra Patttern Settings | Available | |
| * 2 levels selectable to set | ||
| Center Marker | Available | |
| Red Frame during REC | Available | |
| Recording Lamp | 2 steps (Low, High) | |
| *Combines with AF illuminator | ||
| Time Code | Rec run / free run, drop frame / non-drop frame | |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode | |
| *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. | ||
| In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is up-sampled to 4:2:2 | ||
| *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. Footages can not be displayed on camera monitor and no videos and sounds will be recorded to the camera. | ||
| Movie Picture Mode | Flat, OM-Log400, HLG, OM-Cinema1, OM-Cinema2 | |
| AE Lock | Available | |
Recording (Sound) |
Sound Recording Format | Wave format (stereo linear PCM/16-bit, sampling frequency 48kHz) |
| High-Resolution Audio Recording | Stereo linear PCM/24-bit, sampling frequency 96kHz | |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker | |
| *External stereo microphone can be attached | ||
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter | |
| *Audio dubbing possible for still pictures (up to 30 sec.) | ||
| Camera-side recording adjustment when an external microphone is attached | Selectable (Enable/Disable) | |
Wi-Fi Function |
GPS Info. Function | Available |
| *Via GPS smartphone | ||
| Wireless Shooting | Live view, rec view, wireless touch AF shutter, self timer (w/ countdown guidance, sequential shooting, movie recording capability), movie recording, power off | |
| (Live View Remote Control) | ||
| Image Share | Available | |
| *Marking function for image share is available. | ||
| Easy Connection | Connect using a QR code | |
Bluetooth Functionality |
Easy Connection | Easy Wi-Fi connection using Bluetooth |
| Simple Image Transfer | When the power is off, images can be automatically imported using the marking function for image share / remotely viewed. (Activated via Bluetooth and imported via Wi-Fi) | |
| (Power-Off Standby) | ||
| Wireless Shooting | Wireless release (pressing the shutter button halfway / fully), movie start / stop | |
| (Wireless Release Remote Control) | ||
| Accessories Remote Control | Wireless release (pressing the shutter button halfway / fully), movie start / stop | |
| Record of location informationion | Available | |
| *Via GPS smartphone | ||
USB RAW Development |
Developing by PC application using camera | Developing by PC application using camera DSP |
Web Camera |
UVC (USB Video Class) / UAC (USB Audio Class) | |
Playback |
Playback Mode | Single-frame, information display, index display (4/9/25/100 frames), calendar, enlargement (2x - 14x), movie (with sound, FF/REW/pause), picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), highlight/shadow point warning, AF frame, photographic information, off | |
Image Editing |
Movie Editing Function | Trimming (beginning / end), in-movie image extraction (4K only) |
| Editing Function | RAW data edit, gradation auto, monochrome, sepia, red-eye fix, saturation, resize (1280x960, 640x480, 320x240), trimming, aspect, image overlay, post recording | |
| RAW Data Edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) | |
| Rating | Rating Setting | |
|
|
Print Function | Print reservation (DPOF) |
Menu Language |
Languages | 18 languages selectable: |
| - English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai | ||
Weatherproof Construction |
Splashproof / Dustproof Type | IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) |
| Freezeproof | -10℃ | |
Input / Output |
USB | USB Type-C |
| HDMI Connector | Micro HDMI (type D) | |
| Flash Attachment | Hot shoe | |
| Built-in (IEEE 802.11b/g/n) | ||
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) | |
| Microphone Input Jack | φ3.5 stereo mini jack (plug-in power on/off) | |
| Headphone Connector | φ3.5 stereo mini jack | |
| PC Interface | USB3.0 (Superspeed) | |
Power Requirements |
BLX-1 Li-ion battery | |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), shot count, degradation | |
| Optional F-5AC USB-AC adapter | ||
| USB Bus Power | A USB PD bus power can be used | |
| *PD compliant Camera: Rev 3.0 Ver 1.0a | ||
| USB Charging | Built-in battery can be charged with USB | |
| * When the camera power is off | ||
| * Performance varies depending on different USB devices | ||
| Sleep Mode | 1/3/5 min., off | |
| Number of Recordable Images | Standard mode: approx. 590 shots / Quick sleep mode: approx. 1040 shots | |
| *With KIOXIA KSDXU-A064G (UHS-II U3 Class10 64GB) and a bundled battery, based on CIPA test standards | ||
| Movie Recording Time (min.) | CIPA standard compliant: approx. 120 minutes | |
| When zoom and other operational functions are not used: approx. 190 minutes | ||
| Continuous Movie Recording Time (min.) | CIPA standard compliant: Until card is full or battery runs out | |
| *At 23°C (±3°C) | ||
Dimensions / Weight |
Dimensions | Approx. 139.3ｍｍ (W) x 88.9ｍｍ (H) x 45.8ｍm (D) |
| *Based on CIPA standards: excludes protrusions | ||
| Weight (g) | Based on CIPA standards, with 1x bundled battery and 1 memory card, without eyecup: 496g | |
| Body only: 413g | ||
Operating Environment |
Temperature | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Humidity | 30%~90% (when in operation), 10%~90% (when stored) | |
Box Contents |
Body, CB-USB13 USB cable, Shoulder strap, Instruction manual, Warranty card, BLX-1 Li-ion battery | |
Software & Applications |
OM Workspace 2028/2/29 | |
| OI. Share 2028/2/29 | ||
Energy Regulation ErP Lot6 |
Off mode | Power: 0W |
| Transition Time: 1 min. | ||
| Standby mode | Power (W): N/A | |
| Transition Time (min): N/A | ||
| Network Standby mode | Power: 0W | |
| Transition Time: 1 min. | ||
Questions & Answers
OM System OM-3 Mirrorless Body
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